I've taken a lot of notes so far and will be sharing those at a later date.
All I can say at this point is ... they need a little breaking in. Upon initial installation into four separate components, the sound was too relaxed. There were, however, improvements heard right off of the bat, like a more accurate tonal balance. But the sound was just too laid back. That went away after a couple of hours of listening. Thoroughly enjoyable though after that brief period.
On the tonal accuracy ... that is one of the most, if not THE most, important areas in my estimation. Instruments and voices have to sound right to my ear in order for the whole system to be enjoyable. These prototype fuses improved tonal accuracy beyond what it already was. That's saying something considering the lengths I've gone through to get it right over time.
Last night I put on Tchaikovsky's violin concerto played by Erica Morini, backed by the LSO with Artur Rodinski conducting. Wow! That violin was dead-nutz on. And the performance is truly great. What else could it be? ... It's the great Erica Morini, after all.
Here's the CD:
https://www.ebay.com/itm/ERICA-MORINI-BRAHMS-TCHAIKOVSKY-VIOLIN-CONCERTOS-CD-6-TRACKS-COMO-NUEVO/322370981557?hash=item4b0ececeb5:g:QrQAAOSwImRYYXLR
It is available on LP, but a VG+ original vinyl in stereo goes for around $150 and is extremely hard to find. I have the budget CD transfer reissue from the Westminister tapes. That's all one needs. It is beautiful.
I've found that some of these budget CD reissues really sound the best. The reissuing companies really don't take the time to muck things up, so as a result of their budget mindedness, we get more of a direct transfer from the master tape type of sound.
I'm boycotting recordings and reissues that are drenched in artificial digital reverb.
Stay tuned ... Things continue to improve.
Frank
All I can say at this point is ... they need a little breaking in. Upon initial installation into four separate components, the sound was too relaxed. There were, however, improvements heard right off of the bat, like a more accurate tonal balance. But the sound was just too laid back. That went away after a couple of hours of listening. Thoroughly enjoyable though after that brief period.
On the tonal accuracy ... that is one of the most, if not THE most, important areas in my estimation. Instruments and voices have to sound right to my ear in order for the whole system to be enjoyable. These prototype fuses improved tonal accuracy beyond what it already was. That's saying something considering the lengths I've gone through to get it right over time.
Last night I put on Tchaikovsky's violin concerto played by Erica Morini, backed by the LSO with Artur Rodinski conducting. Wow! That violin was dead-nutz on. And the performance is truly great. What else could it be? ... It's the great Erica Morini, after all.
Here's the CD:
https://www.ebay.com/itm/ERICA-MORINI-BRAHMS-TCHAIKOVSKY-VIOLIN-CONCERTOS-CD-6-TRACKS-COMO-NUEVO/322370981557?hash=item4b0ececeb5:g:QrQAAOSwImRYYXLR
It is available on LP, but a VG+ original vinyl in stereo goes for around $150 and is extremely hard to find. I have the budget CD transfer reissue from the Westminister tapes. That's all one needs. It is beautiful.
I've found that some of these budget CD reissues really sound the best. The reissuing companies really don't take the time to muck things up, so as a result of their budget mindedness, we get more of a direct transfer from the master tape type of sound.
I'm boycotting recordings and reissues that are drenched in artificial digital reverb.
Stay tuned ... Things continue to improve.
Frank