Bighempin - I agree with Paul: in the pistonic range the same amount of air is moved, so the frequency response is not impacted very much. But there are further subtleties in my opinion. The shape of the compression wave coupled to the air will get turbulent as the frequencies approach the upper limit of the tweeter. I think it likely that the upper octave may become ragged with the crumpled dome.
Even though we, especially older male, listeners aren't supposed to hear above 15K (I'm out considerably lower than that), we somehow register anomalies in the upper ranges. I can hear the differences in various digital high-cut filter configurations, and all that stuff is supposed to be near or above 20kHz.
So, there may not be a "huge" difference, but then again, consider the effort we spend on getting quite small sonic improvements from our systems. The human ear-brain is a magnificent piece of work.
Even though we, especially older male, listeners aren't supposed to hear above 15K (I'm out considerably lower than that), we somehow register anomalies in the upper ranges. I can hear the differences in various digital high-cut filter configurations, and all that stuff is supposed to be near or above 20kHz.
So, there may not be a "huge" difference, but then again, consider the effort we spend on getting quite small sonic improvements from our systems. The human ear-brain is a magnificent piece of work.