Read a little up stream,I have used the same configuration with several pairs of speakers and had no sibilance.
I was fortunate a few years ago to be able to compare some of the most expensive cables of the time and even Audio Note Sogon made only a subtle difference at best and the gear used was worth more than my house several times over.
It is funny that using lab grade test equipment has never measured a difference in the frequency response from one interconnect or another as long as they are constructed correctly.And if you can show me different i'm open but interconnects and power cords are not magic wires.
Although I have all silver in teflon speaker cables,inter connects and PS audio 8 and 10 Awg. power cords.
Capacitors do however make a measurable difference up to a couple of DB. in some frequencys. I will not go into an endless cable debate.Sibilance lives in the 8khz. range and if the big new cap I put in peeks in the upper mids where the tweeter peeks to 101.5 db. output around 8khz. I very well could be over 103db! at a very sensitive frequency.
I am pretty sure of the problem and I'm just awaiting parts.
Did you look at the graph of the tweeter response?
If no one else has sharp SSS and TTT it would almost be a act of God looking at the steep climb of the tweeter it's self.The caps used nearly need to have a recessed upper mid range just to control the top end of the female voice.
Eric did a great job of balancing this tight rope but upgrading caps can upset the apple cart.
I would leave the Lores alone unless you are willing to stay in it for the long run.There is more detail to be found in the top end (sizzle) but the proper balance is critical and may not be cheap.I am willing to roll as menny caps as it takes.
I am all ready upgrading resistors,Mills and possibly Mundorf,Audison internal cable ect...
I was fortunate a few years ago to be able to compare some of the most expensive cables of the time and even Audio Note Sogon made only a subtle difference at best and the gear used was worth more than my house several times over.
It is funny that using lab grade test equipment has never measured a difference in the frequency response from one interconnect or another as long as they are constructed correctly.And if you can show me different i'm open but interconnects and power cords are not magic wires.
Although I have all silver in teflon speaker cables,inter connects and PS audio 8 and 10 Awg. power cords.
Capacitors do however make a measurable difference up to a couple of DB. in some frequencys. I will not go into an endless cable debate.Sibilance lives in the 8khz. range and if the big new cap I put in peeks in the upper mids where the tweeter peeks to 101.5 db. output around 8khz. I very well could be over 103db! at a very sensitive frequency.
I am pretty sure of the problem and I'm just awaiting parts.
Did you look at the graph of the tweeter response?
If no one else has sharp SSS and TTT it would almost be a act of God looking at the steep climb of the tweeter it's self.The caps used nearly need to have a recessed upper mid range just to control the top end of the female voice.
Eric did a great job of balancing this tight rope but upgrading caps can upset the apple cart.
I would leave the Lores alone unless you are willing to stay in it for the long run.There is more detail to be found in the top end (sizzle) but the proper balance is critical and may not be cheap.I am willing to roll as menny caps as it takes.
I am all ready upgrading resistors,Mills and possibly Mundorf,Audison internal cable ect...