Cartridge options for current gain phonostages (47 Labs)
Hi,
I have a 47 Labs phonocube which I have not been using because I do not have a "matching" cartridge. It is a current gain phonostage. Its input impedance is 0 ohms and it amplifies current rather than voltage. That basically means a low impedance cartridge is the first thing it needs. I had the ART-9 which is a 12 ohm cartridge and it was not a great pairing with phonocube. I am now in the market for a new cartridge and would like to buy a low impedance high current cartridge. The Transfiguration Proteus is one of them but it is expensive.
Looking for suggestions on other options. Primarily the higher is the voltage/impedance value the better.
Budget is around $2k.
I have a 47 Labs phonocube which I have not been using because I do not have a "matching" cartridge. It is a current gain phonostage. Its input impedance is 0 ohms and it amplifies current rather than voltage. That basically means a low impedance cartridge is the first thing it needs. I had the ART-9 which is a 12 ohm cartridge and it was not a great pairing with phonocube. I am now in the market for a new cartridge and would like to buy a low impedance high current cartridge. The Transfiguration Proteus is one of them but it is expensive.
Looking for suggestions on other options. Primarily the higher is the voltage/impedance value the better.
Budget is around $2k.
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- 18 posts total
Well, i’m in, hope it’s not too late :) As the owner of two different Miyabi cartridges (MCA and Standard) i just bought 47 Labs 4712 Phonocube with Humpty. Pani told me he never tried his ex 47 Labs phono cube with Miyabi cartridge. This is exactly what i’m gonna try! Fascinated by Nelson Pass current source power amp (First Watt F2J) in my system i am up for "current injection" phono stage with ZERO load impedance finally. Hope i am not alone ... MORE ABOUT PHONOCUBE: Input impedance 0 ohm Most of currently available phono equalizers are designed to amplify the voltage that appears at both ends of a resistor when a current generated by the cartridge is carried to the ground through this resistor. Our Phonocube has a unique and original circuitry ( with input impedance of 0 ohm), which enables all of the current generated by the cartridge to flow directly into the amplifying circuit. Although NF type circuitry is known for its high S/N ratio, a rise in the high frequency is always inevitable. The unique equalizing circuit of Phonocube allows the same level of high S/N ratio while maintaining the smooth and accurate equalizing character of the CR type. To preserve the freshness of the sound, we reduced the number of parts as much as possible, 25 per channel, and achieved the shortest signal pass length ever (44 m/m). The chassis of Phonocube is constructed from two aluminum tubular frames ( 40 x 80 m/m section ) and front and rear panels of 10 m/m thick machined aluminum. Each circuit of left and right channels is encased in a separate chassis to eliminate interference between them and to achieve ideal dual mono structure. Compatibility: Features:
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I've done a bit of studying on "current-driven" phono since you started this thread, Pani. Do you or does Chakster know what is the input resistance/impedance of the Miyabi cartridge that makes it such a good candidate for current drive? Cartridge output is also a factor. According to one recommended criterion, the Ortofon MC2000 for example is not a great candidate for current drive despite its very low internal resistance of 2 ohms. This is due to its very very low output of .05mV. So, you'd want a cartridge with at least 0.2mV output and less than 10 ohms internal resistance. (There is a minimal recommended ratio between these two parameters, but I cannot recall the value.) These rules can be broken, but the result might not be optimal. The manufacturers like to say that the input resistance of their current drive phono is 0, but that cannot be true, I think, because in that case the signal would go directly to ground, thus "muting" the output. The input resistance must be at least a few ohms above ground. If I am wrong, I am interested to be corrected. Also,from what I can tell, current driven phono stages simply use (typically) a solid state gain device which can thrive with a very low input resistance as the first stage of amplification. The output from that stage is then fed to a conventional RIAA circuit for filtering and further gain if needed. It's not magic. In fact, it's kind of an alternative to using a SUT or a conventional outboard active gain stage in lieu of a SUT, except for that exceeding low input resistance which therefore sees the cartridge as a current producing device. |
- 18 posts total