Who needs a Diamond Cantilever...? 💍


So suddenly, there seems to be a trend for Uber-LOMC cartridges released with Diamond Cantilevers...😱
As if the High-End MC cartridges were not already overpriced....?!
Orofon have released the MC-ANNA-DIAMOND after previously releasing the Limited Edition MC-CENTURY...also with Diamond Cantilever.
Then there’s the KOETSU BLOODSTONE PLATINUM and DYNAVECTOR KARAT 17D2 and ZYX ULTIMATE DIAMOND and probably several more.

But way back in 1980....Sony released a Diamond-Cantilevered version of its fine XL-88 LOMC Cartridge.
Imaginatively....they named this model the XL-88D and, because it was the most expensive phono cartridge in the world (costing 7500DM which was more expensive than a Volkswagen at the time)....Sony, cleverly disguised this rare beast to look EXACTLY like its ’cheap’ brother with its complex hybrid cantilever of "special light metal held by a carbon-fibre pipe both being held again by a rigid aluminium pipe".
The DIAMOND CANTILEVER on the 88D however......was a thing of BEAUTY and technological achievement, being formed from ONE PIECE OF DIAMOND including the stylus 🤯🙏🏽

I’ve owned the XL-88 for many years and recently discovered that it was my best (and favourite) cartridge when mounted in the heavy Fidelity Research S-3 Headshell on the SAEC WE-8000/ST 12" Tonearm around my VICTOR TT-101 TURNTABLE.
Without knowing this in advance.....I would not have been prepared to bid the extraordinary prices (at a Japanese Auction Site) that these rare cartridges keep commanding.
To find one in such STUNNING CONDITION with virtually no visible wear was beyond my expectations 😃

So how does it sound.....?
Is there a difference to the standard XL-88?
Is the Diamond Cantilever worth the huge price differential?
Is the Pope a Catholic....?

This cartridge simply ’blows my mind’...which is hard to do when I’ve had over 80 cartridges on 10 different arms mounted on two different turntables 🤯
As Syntax said on another Thread:-
When you have 2 identical carts, one regular cantilever and the other one with diamond cantilever (Koetsu Stones for example), the one with diamond cantilever shows more details, is a bit sharper in focus and the soundstage is a bit deeper and wider. They can sound a bit more detailed overall with improved dynamics
I’ll leave it at that for the time being. I will soon upload to YouTube, the sound comparisons between the two Sony versions on my HEAR MY CARTRIDGES THREAD.

But now I’ve bought myself a nightmarish scenario.......
There is no replacement stylus for this cartridge!
There is no replacement cantilever for this cartridge!
Each time I play records with it, I am ’killing’ it a bit more 🥴😥
If I knew how long I had left to live......I could program my ’listening sessions’ 🤪
But failing this.....I can’t help but feel slightly uncomfortable listening to this amazing machine.
128x128halcro
Dear @edgewear : """  So the use of aluminum cantilever has nothing to do with 'ignorance' on the designer's part ... ""

could be butb in some cases low knowledge design levels is one of the reason for aluminum cantilevers.

In this thread I posted about: 

"""  Aluminum in the FR was what the designer like it more when he voiced his cartridges. Cantilever is an important part in the whole cartridge desing but only one part and in the voicing of the manufacturers we are in the " hands " of the designer bias to some kind of sound he was looking for.

Aluminum in the Magic Diamond was or is used not because is the best material but first because use the same cartridge motor of the Denon 103 ( aluminum cantilever. ) and second because was what the biased manufacturer like it.

The use of aluminum material in cantilevers has other reasons additional of what I posted.

One of those reasons could be the low knowledge level of the manufacturer to design something better because if that design only sounds good with aluminum in the cantilever then something is wrong in that design and this is true when the design is a copy of other cartridge where exist true inhabilities to make a design.  ""


Btw, like you I really like the Colibri and owned 4-5 samples but the platinum and blackwood one. I owned the Colibri with wood body but was a red/rose one.
Now, the best Colibri cartridge I experienced was one of the first models that cames with small soft plastic body and with cooper coils with an output level of 0.22mv. Till today the best Colibri I experienced in my system and in other systems.


R.

So the one piece diamond/stylus cantilever combo on Sony XL88D can't be repaired, because this unique type of cantilever is not available anymore. But it can't be even re-tipped because the stylus and cantilever is one piece of gemstone. The life span of the Elliptical stylus is 600 hrs ? Actually Sony called it "Super Elliptical", so maybe a bit more. But what's then ? 
I certainly do not, but I would bet that the $1500 albums at Audio Advisors in West Palm Beach could be shown to benefit their superiority, at least if a diamond cantilever is one of their products.
as a one-piece construction like THIS


haaaa....this is not a single piece of cantilever that connects to the coils but it is a plug!
Will it be a rip-off?
And again ... what does that silver color near the stylus mean?

@halcro beautiful macro photos.
@halcro Henry, the man behind Sony UK since the '80s, Eric Kingdon, agrees with you: Together with the Sony PS-X9 tt and the XL-55Pro cart, he ranks the XL-88D at the top of Sony offerings in the audio realm. 

It is very hard to find this gem indeed, but I think you can keep chasing a second one while you enjoy the one you have by now til the end of its days.