"I still do not think those "non dynamic" live performances are easily duplicated by a system. But it can be close."
Yes, I agree of course that nothing can be duplicated exactly, especially when translated from a large venue into one's listening room.
But My point is that I do not expect exact replication, only quality reproduction within my own space, and I have no issues being satisfied fully with the dynamics aspect of the reproduction in my case, sans horns.
Nevertheless, I would very much like to try a pair of good horns in my home at some point in that I am always interested to hear what other kinds of good reproduction may sound like. Each usually has its own set of things to like.
Just like two talented artists, like Monet and Rembrandt, would offer two radically different but each uniquely interesting renditions of the same subject matter if given the opportunity I would expect.
Yes, I agree of course that nothing can be duplicated exactly, especially when translated from a large venue into one's listening room.
But My point is that I do not expect exact replication, only quality reproduction within my own space, and I have no issues being satisfied fully with the dynamics aspect of the reproduction in my case, sans horns.
Nevertheless, I would very much like to try a pair of good horns in my home at some point in that I am always interested to hear what other kinds of good reproduction may sound like. Each usually has its own set of things to like.
Just like two talented artists, like Monet and Rembrandt, would offer two radically different but each uniquely interesting renditions of the same subject matter if given the opportunity I would expect.