Can the Harbeth 40.1's boggie ?????


I am not looking for ear shattering volume - but everything I have read ( and no, where I live I cannot listen to them )but I am considering them. But, can they play some rock and roll and get out of their own way ???? Reviewers and owners have noted that they sound great at low volume levels - and they have an '' organic natural sound '' - that's great but can they play Lynard Skynard, some Allman Brothers and god forbid some Grateful Dead that well - like they advertise -sounds like real music ??? I also listen to Eva Cassidy, The Eagles, Jackson Browne, Pat Methany, JJ Cale and most of all The Beatles ....and why do see so many of them for sale ??? Ummmmm.....
garebear
Again, Erikminer made some valid observations. Although the Harbeth will not rock like some other speakers, Classe + Purist + "Harbeth" + Overdamped room can be a recipe for disaster if one seeks thrill and excitement. If using ASC absorption panels on 1st reflection points or anywhere else, may I suggest taking them out(and replace them with diffusion if you have some). In my room I always prefer diffusion than absorption as the latter kills life and dynamics in music especially with the Harbeth.

Something to think about to alleviate the current situation.
No, Harbeth monitor 40.1s cannot boogie. Read Bob Neill's comments about them. He got tired of them and moved on because they never could lose their stiff upper lip.
If you remove the Harbeth issue and restate the OP in a generic form it becomes "why doesn't my high dollar, audiophile approved system sound good on classic rock recordings?" In its many forms this is one of the more popular posts on Audiogon. What's happening is that your high end system is really showing you what the classic rock recordings sound like and you're finding that you don't like that sound. It's accurate, but not that enjoyable to listen to. High end systems are really about finesse and refinement. Some can go loud and have great rhythmic qualities, but they don't do raunchy very well. It's the nature of the beast. The fact of the matter is if you're listening to classic rock you're better off having a pair of double Advents matched with a large 70s Marantz or Pioneer receiver in an acoustically untreated room. Yes, old is the new new.
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...thank you for all of your responses. However, we are at a slippery slope in thinking that the best equipment for the 50% of the music I play needs to come from the era that this music was conceived. Does that mean I should have a Victrola for my older Big Band Music....I think not. I guess what was I was looking for by using those particular bands as an example, was can these speakers get out of their way ?...the answer is No. I wish that I could have listened to them more, but what dealer has a pair of Harbeth 40.1s hanging around to loan out - and believe me they are big and heavy. I am not about to at 53, scleep these things around.....switching cables is out as it took me about three years to put the Purist together and pay for them ..The 20th Anniversary's are not dark by any means but are more nuetral and natural sounding and did you look at the price of the 20th Anniversary's .....they are not cheap and once again getting too old to take a loss and start over. Moving the ASC's around does make the most sense...as the room could be over-damped as the Avalon's were soo fast - and ariculate. Now, the Harbeth 40.1's are detailed and quick ''in their own way ''.....they are a good speaker - they are just different. Maybe Paullb said it the best - they are British and they do emote that stiff upper lip in the way they present their music.....they to me are an enigma at this point in time. Now for a spot of tea...thanks again everyone.