So, in effect, the optical read quality combined with the mechanical perfection of spin, combined with the quality of the disc itself, in build, disc plastic, labels, optics, etc...becomes, at a minimum... the digital clock jitter itself.
Which in turn, affects the signal reconstruction and becomes the sound quality that we hear and heard.
So, in original non buffered design in cd players (early 80’s to the late 90’s) and associated dacs..the quality of the discs and playback..and all of the hardware, becomes the quality of the music you hear.
Bits are not bits in this case, due to the way the hardware/software worked.
And that is how green markers made a difference for such systems. And how mechanical isolation, disc mats, etc..all contributed to making for better digital audio. As a legacy system, and how discs are read now, some of that still has an effect in physical disc read, in some systems.