Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Hah! I love that stuff. And, I love the clips. I roomed with a trombone player in college and he played that record almost nonstop. But, that’s not the only thing I love about the post. I refer to how interesting it is that sometimes support for our particular point of view comes from unexpected sources. Dick Katz, who studied at the Peabody Conservatory, Manhattan School of Music AND Juilliard; and was a Jazz educator. Considering all the silly derision levied here upon the idea of scholarship and Jazz, an unexpected source indeed.

This is interesting for yet another reason re unexpected sources.  You may find this story interesting. This past August I was performing with the Philadelphia Orchestra at SPAC and on the same program was Wynton’s JLCO performing Wynton’s “Swing Symphony”. I am friends with a couple of the members of Wynton’s band and after the rehearsal one morning we went to lunch at a nearby restaurant. During the meal, after much talk about the music the conversation turned to, of all things, audio. One of the guys was interested in buying a sound system. I mentioned Audiogon as a place to get acquainted with what is out there and the forums being a good place to learn about putting together a system. Conversation about the forums led to....you guessed it, this thread. One of the topics that came up was the idea of....you guessed it, traditional vs. “new” Jazz. I mentioned some of the ongoing disagreements here on the subject. To a man, the view was that the feeling that only old Jazz is of any value or that many of the younger players today are not on the same level as players from the past is absurd. That not only is it absurd, but that the belief is one of the things that hurts Jazz’ viability today the most. Then the punchline: Wynton feels the same way! Wynton is a big supporter of the new generation of players and not just the players playing traditional Jazz. He also likes some of the non-traditional “new” Jazz very much. His views have changed over the years and he, for “political” reasons, needs to maintain and cultivate his public persona of the unwavering traditionalist.

I couldn’t stop laughing! Well, when I was alone.

I was going to bring this up here back then, but I had the good sense to not “stir the pot” unnecessarily. BTW, my invitation from a couple of years ago (!) stands. If you’re ever in NYC I would be glad to introduce you to some of these guys and probably Wynton as well.

The music:

https://youtu.be/JrypkiPgPxc



Frogman, I have never seen anyone who could get things as turned around as you.

Me and Rok both have been saying current musicians are better educated and are truly skilled musicians; but if you give them a blank music sheet they might as well throw it in the trash because they can not compose worth squat, and you can quote me on that.



Why is it when I ask about new music, somebody uses something like this as an example; hear how skilled those new musicians play Mingus's "old music".


      https://www.youtube.com/watch?v=WPfSD0vJi8Y


      https://www.youtube.com/watch?v=6arveYAIb5s


      https://www.youtube.com/watch?v=xkXeMzRqkcY