The Sex Pistols were never anything more than a publicity stunt of a group.
And notoriety was all they apparently craved at the time.
Music?
Heck no!
Old English music biz joke.
You can't sing.
You can't dance
You look terrible.
You will go far!
New Omega E Mat from Perfect Path Technologies
Many of you own or have read of the highly-regarded PPT Omega E Mat, one of Tim Mrock’s revolutionary signal-enhancing accessories. Just prior to his untimely passing, Tim had finished developing a new generation of his Omega mat, soon to be available. Krissy Mrock has asked a few of us to introduce this new mat, here given the working title of The Double Omega.
In distinguishing the Double Omega, we know the original Omega, herein called the single, as a 7.5” by 10”, rather heavy and somewhat pliable mat, a bit more than 1/8” thick and with a vinyl-like feel. One face is glossy white, displaying the PPT logo and Omega name, while the other is black, smooth and magnetized. Sandwiched between these faces is the active material that causes components to reject the EMI that saturates everything in our surroundings. The Double Omega is much the same, with one important difference: the magnetized face has the finely-textured feel of around, say, 220-grit sandpaper. This texture, it is presumed, comprises yet a second active layer of EMI rejection. Presumed—because working details of the Double Omega are not well understood—better yet to know how to apply it.
With the understanding that the single Omega E mats generate field effects from both faces, mats have typically been placed under and over components and vertically over circuit breakers. How you apply the Double Omega will depend on best use and experimentation. In my case, I have removed two single mats, lying side-by-side, from the top of my large Wadia CDP and have replaced those with two Double Omegas. The Wadia is a one-box player that contains a pre-amp, so I wanted that second, strong field effect exerting downward as well as upward. I also have several singles placed underneath, just as before. Going straight to amps, this player is my only source, so I want it fully protected from EMI. Your priorities will differ.
As of this writing, I am only thirty-hours in on placing these Double Omegas, and I can already tell you they are powerful in their prevention of EMI within my digital source. Yet another veil has been lifted—all instruments and voices are even more sorted out in the aural space with new information heard within that space. There is much more decay heard against a new silence behind and between the musicians. I am already so pleased and excited about what the Double Omega E mats are doing. As Krissy told me, Tim was really stoked to have these new mats available. Rather than wait for the the fourteen-day window of improvement, I want to get this intro out so others can relay their experiences sooner.
Hi, Frank. I have a slide out cup holder directly below the head unit and I popped them in there so was pretty easy for me. When I close it they're physically inside the center console. Wish I had the TC back when I installed the stereo. Nobodies fault but my own. Maybe glove compartment is your best bet? Hey uber. Yeah, I put them across my speaker cables amp side. Didn’t get any deeper bass, just a little added smoothness all around. |
uberwaltz ... As a kid raised on Blues, Rhythm and Blues, and jazz, played by Black artists who were blackballed from playing in most venues, I really resented the so-called "British Invasion." Same with Elvis when he first came on the scene. Here I was, being inundated with music originated by the Black artists that I admired so much, who could not make a decent living playing it, being copied by these White interlopers who were making a fortune off of the Black man’s dime. They replaced the saxophone with the guitar, swiveling hips and nerdy haircuts. Of course, at a much later date, I realized that they were great in their own right. As a kid, at night, I used to listen to my small tube radio under my covers, to a Central Los Angeles DJ named "Huggie Boy." He played the best R&B. His studio was in a record store on the corner of Central and Vernon Avenues. I’ll never forget his sponsor ... It was Mister Jim’s BBQ. Mister Jim would come on the air and talk about how tender his beef was. He would end every time by saying ... "You needs no teef to eat ma beef." It used to just crack me up. Still does, as a matter of fact. Those were the days. Frank |
Carp & Uber ... You guys need to talk with David Prichard. He’s tricked his car out with both SR and PPT products. He has the SR HFT’s glued to his windshield and headliner. I asked him what it was like, and he said ..."Imagine driving straight into a Steinway piano." *lol* By the way, David’s mother just celebrated her 96th birthday ... and she’s still enjoying her high-end system that David set up and maintains for her. Frank |