Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
pjw, I like “Red Clay”. I have always had mixed feelings about most (not all) CTI recordings. Red Clay is one that I like a lot ....with some relatively minor reservations. You asked for my take:

It stays closer to the vibe of the classic hard bop recordings with just a kind of “peek” into the over produced, not quite straight-ahead Jazz, not quite Funk, not quite Soul vibe of some other CTI’s. Something that gives them, for me, a somewhat “lite” character.
Freddie sounds great. One of my reservations, and one of the reasons that I like early Freddie so much is that while he was by then (Red Clay) a much more fully formed stylist, at the same time he was starting to show something that has often been a little annoying for me me from that point forward in his career. Lots of Freddieisms on that record. Little pet licks and trumpetistic (?) inflections that he would use in just about every solo; a signature sound, but comes across as a little cliched at times. And, a kind of relentless quality; always on fire. Some would would say I’m nitpicking, but I usually enjoy pre-CTI Freddie best. Lastly, Joe Henderson sounds amazing as always, but he shouldn’t be playing the flute; doesn’t sound very good. And, even though he can do no wrong in my book, Herbie is not entirely convincing playing organ.


***** rok, Buy yourself a notebook .*****

Why, whatever for?

Cheers

Btw, I didn't mean she had to have the score in front of her, she has it in her head.   But rest assured it was in front of her once upon a time.
And,
her job is not to show what the composer thought, but HER sense of what he thought.   And everyone has a different sense.   Otherwise we would only need one player.

And Jazz musicians and Classical players, apples and oranges.  You only have to listen to the several attempts by classical players to play Jazz on recordings.   And these are Jazz standards.   Written down.

Wynton being a brilliant exception.

Cheers


This is a post from an old subject, from another thread, but it gut my attention, I believe it deserves the second look.
If anybody of you guys have 3 mil usd to spend, this might be a good way to contribute with some legacy for future generations

Speaking about music collections...

https://vimeo.com/1546186

This album is different from all the albums I have by Horace Silver. What do you think about it?


          https://www.youtube.com/watch?v=ZWTy8kM3Hak
I like that record a lot. Yes, different, but still Horace Silver all the way. Very melodic with Silver’s typically funky grooves. Different for a couple of important reasons.

David Friedman on vibes. Different sound for Silver. Not just because of the sound of vibes, but also the way Friedman improvises. Another important reason that it is different and is not shown by that clip is consistent with the choice of Friedman for the record: Three of the cuts on the record feature the Brecker Brothers who played in a very different style from most of the horn players in Silver’s bands up until then. Two great players whose styles were Coltrane influenced and informed by their experiences as fusion players and in Pop settings; also a departure from horn players in Silver’s bands until then.

https://youtu.be/3XS79mmcs_0

https://youtu.be/yttc-i_vA8I