If you were to design a tone arm, what would it look like and feature?


There are a good number of different tonearm designs currently on the market. Some feature a uni-pivot, some gimbal bearings, some are air bearing designs, others use a knife edge...etc. We also have multi adjustability ( SRA, Azimuth weight, etc) and size--9 inch 10inch..twelve inch. Then we have the SAT tonearms that also feature carbon fibre etc., 
If money was no real object, what is your idea of the 'ideal tonearm' that you would design...and why?
128x128daveyf
Wait- this is a joke, right? Because "if money was no real object" then what am I doing designing anything? I thought that's what money was for- to be able to buy people to do stuff like this. When you get to where money is no object you don't spend all day fantasizing you just pay some dude and complain about delivery.

Especially when guys like Schroeder already figured it out way better than I ever could. Only, remember 'complain about delivery'? Schroeder's about a year out. Dang. 

Oh well, not to worry. I hear Ledermann's gonna start making Schroeder arms at Soundsmith.
@millercarbon. I guess you have no ideas on this subject. That's ok.
Anyone else...
Millercarbon, it is Frank Schroder. Frank and Peter are in bed together (imagine that!). Frank's tonearms are very interesting and creative. I personally would never buy one. Like Unipivots his designs are a way of avoiding the precision of aligning bearings correctly the result being too many degrees of freedom and variables that are difficult to control. Frank Kuzma's  4 point design is far more elegant controlling all unwanted motions with the lowest amount of friction in an easy to build format. 
Daveyf, you are far too polite. Anyway, I would take the 4 point 14 and try to lighten the effective mass getting it down to 14 grams by using carbon fiber so that people with medium compliance cartridges ( the vast majority) could enjoy the use of a 14" tonearm.