2. speakers
  3. 153560-33344

Best bass in Earth! Bass that just smells right...

Bass ,room acoustics, attack, delay, headroom, pressurization, and integration with the main speakers. So this has been my quest. Perfect bass that enhances everything yet detracts from nothing...

Over the 25 plus years as a hobbyist (mostly Audiophile/Music lover) yet also a mechanical engineer and Virgo perfection is a must. Once I heard the swarm/distributed bass array done right I was sold. I probably have spent 10s of thousand over the years buying and selling just bass/subwoofers and every gizmo to aid in this process.

I finally find myself with 26 10 inch woofers (only using 20 at the moment)  from four Kinergetics sw 800's in a small 20 x 16 room. 4 towers with 5 10 inch Seas each and 2 of the smaller subs with 3 10 inch woofers each. They are all in great condition given age the drivers are tight and work perfectly. Of all the money I have spent in home audio this has been my most difficult challenge to achieve perfection. I love Stats and Maggies but also like AC/DC and other music that the plannars are not the best at. Dyna Audio and Dunlavy speakers are the fastest coned sealed speakers (I am sure there are a million speakers out there that equal or better them not here to debate speakers) . I personally have always preferred the sound of FAST sealed cone speakers.

Back to the bottom foundation which I feel all speakers need regardless of price and woofer size. Trying to get four Sub woofers correct in a room is not easy. I probably have 200 hours into these SW 800's and now trying different AMPs and configurations. Im close but not there Id give it 88-91 percent but that last 10 percent is the magic.

So for they peeps out there getting into this can of worms. First unless your a sadomasochist like me it's probably best to buy a system like the Audio Kinesis or Debra system. It's just guaranteed results. Second this is for music not HT there is a difference. Although I had the HSU ULS 15's sealed 2 of em and they are darn good, Revel b 15' A's, Muse Model 18's along with several others. These SW 800's are more like actual speakers that require a lot of work to get right. They also use a funky forward distortion feedback Compusound circuitry (Im not an EE but from what little I was able to read it sounds like a forward servo design in their BSC cross overs) tons of pros and cons to the design but the fact they were meant to mate with the original Martin Logan full panel CLS says volumes when it comes to transparency. Although I dont use the high pass just the low pass.

So if you are into real music and enjoy room pressurization with out destroying (actually increasing, presence, timing, and smell of the music) multiple subwoofers are a mandatory.

I am writing this post for all the peeps getting into real bass so you dont make all the mistakes I have made. We all know how expensive mistakes are that is and why we are members of Agon and other groups. I do want to Thank a couple of members on here for their help and wisdom. I wont name them they know who they are. And special Thank you and Happy New Year to the moderators and founders of Agon for giving all of us a place to gain view points, experiences, and wisdom!

-Allgood
128x128haywood310
saleh84's avatar
saleh84
42 posts
 
I'm about to pull the plug on a pair of sealed subs from the same maker of my main speakers, who seemed to have done a lot of work to make them integrate seamlessly. I'm looking to enhance the frequency range between 50-20 Hz, planning to connect them with high level input (speaker level) to get the same bass signature of the amp.
Thanks to posts by you and other people who swear who important subs are to complete the sound of a stereo system!! Hopefully i will find out soon for myself ))
wolf_garcia
6,734 posts
 
Sub madness...they're swarming! I get it, but I also get great bass from a couple of RELs, so hey...at least I am part of the "multiple sub" subgroup.
steve59's avatar
steve59
1,789 posts
 
You guys are single aren’t you?
audiorusty
287 posts
 
@brotw 
In order to reproduce spatial cues at bass frequencies, don't you need dual subs sitting next to the mains?
I have a pair of bookshelf speakers that I integrated with a pair of subs. I am crossing over much higher than 80hz to protect the 5 1/2" driver in the bookshelfs  from over excursion during loud playback so my set up is as you described with the subs inline with the mains. I recently added a third sub and due to the extremely small room I really didn't have any placement options except right behind the listening position on the left side of the room firing into the room at a 90 degree angle to the front speakers. The third sub is crossed over at 80hz. The bass in the room became much smoother and more impactful and sounds like it is coming right at me from the front of the room. I can reach back while sitting in the listening position and touch the surround of the sub behind me and feel it moving but all the sound I am hearing is in front of me. It's really kind of wild how it all comes together.

I send the left channel to the front left sub, the right channel to the right front sub and both the left and right channels to the third sub.
brotw
103 posts
 
I’ve got a 20’x16’ room also, not fully sealed, opens to a stair case at the back, but the room modes that come with this dimension are anything but ideal. Appreciate the tips Haywood and believe you are on the right path.


@audiorusty
That sounds like a good technique for pairing smooth bass with your bookshelfs. I might try that! My Tekton DIs reach down to 30 HZ on REW, and have a flat response down to 20 Hz after Dirac Live calibration. Bass is authoritative down to ~ 40 or 50 Hz using a 48W SET LM508IA integrated. Just because Dirac says I’m getting it, doesn’t mean it’s punchy and as tight as I’d like.

@audiokinesis

That 90 deg. phase idea is interesting. Assuming the use of rule of thirds for speaker and LP placement which I found to be not far from ideal, optimization of placement for a pair of subs on the left side wall, and a pair on the right might work (only 4 variables). Multiple optimization sub placement solutions for different crossover frequencies might further results.

Sub crossover frequency suggestions always seem to be around 40-50 Hz for best integration results with mains that dig deep (no bass management). I’m thinking at those frequencies there are few room modes you are trying to smooth out with subplacement. Do 4+ instead of dual subs shine best in monitor/stat/maggie systems with subs crossed at ~80 HZ?

Decoupling bass frequency from mains allows for smoother room response using multiple subs, but I wonder how anchored in the soundstage 40-80Hz notes from stand up bass would sound.
More to discover