Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
Hey Jafant.

For interconnects, I generally use the Audioquest Evergreens. I think they sound good, are well made, and are generally a good value. My speaker cables are DIY built from some bulk Canare Star Quad cable I picked up a few years ago. 

How about you?


Unsound - you've got me thinking . . . I've been considering the 3.6 as the terminal discrete driver iteration of the model 3. But it might be more rightly thought of as a transition product between the sealed-bass "pure 3s" and the reflex bass "new 3s". The CS3 and 3.5 were, if I remember correctly, identical except for the midrange driver with its crossover tweaks, and the single jacks. The CS3 mid was too fragile and the more robust 3.5 mid was in fact a full-range driver. Any upgrades to the 3.5 could be applied to the 3 as well, creating perhaps a 3.5r (renaissance) as the next "pure 3". Combined, about 7500 pair or 'pure 3s' were sold. We know some of them survive on this forum and my "new" pair in the studio. How many do you think are out there?
Although the Thiel subs are great, I decided not to go this route as Rob warned me that he can't service these build in amps. When they malfunction, you are stuck. 
@tomthiel, I think your 3 series division is most logical. There is much respective overlaps there. The division also corresponds to amplification requirements of their respective eras, earlier models >4Ohms, later models <3 Ohms, and what users might have built around. I have no idea how many units have survived. IMHO, the marketplace for these  speakers is too unstable now to use as a barometer.

@thielrules, this also true of many other manufacturer's powered subs. Unlike some high end consumer class D amps, the OEM Class D units have perhaps become the most persistent break down problem in audio presently.