Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Concerning Bolet, just listening to him in a 1974 Carnegie Hall recital playing Liszt transcriptions and other virtuoso fare on Idagio.
Almost super-human immaculate dexterity.
Stephen Hough, first Liszt recital (not the Italian one), starts with Mephisto Waltz and continues with Tarantella.  One wonders how anyone can move their fingers this fast, and yet also in a clean, precise, controlled and highly expressive fashion. If this is how Liszt himself played, no wonder he left his audiences slack-jawed.
@rvpiano    I have just read your discourse on Bolet and I also love that you enjoyed the Carnegie Hall performance. When you consider who his teachers were it's a who's who of giants from the late 19th century. We have Moritz Rosentahl probably the best of List's students because he didn't die young and he didn't forget the piano to write operas. His other teachers were no less exaulted was Josef Hoffman who's teacher was the great Anton Rubinstein , also Leopold Godowsky who tutored Bolet on Godowsky's finger twisting creations . Unfortunately Bolet did not get on well with the big recording companies because none of them at the time wanted the Liszt Piano Sonata and his Transcedental Etudes so he did not get any big recording contracts until that stupendous Carnegie Hall recital. Thankfully Decca grabbed him up and they gave him a blank canvas to record what he felt like so we got a lot of Liszt and other virtuoso fare. He was actually primed to do some of Godowsky's Studies on the Chopin Etudes and I was there in Glasgow one day when he was giving a lecture on Rachmaninov's Third Piano Concerto and he had three students who were also taking a masterclass and being recorded by the BBC. When he was finished giving the masterclass both audience and orchestra gave him a standing ovation and quite buoyed by it he came back on and gave us an encore and it was one of the Godowsky Chopin etudes and it was two separate etudes at the one time and I still don't know how he did it. I was trying how to work out how it was possible because there skips and playing through the hands I just could not believe it and when he finished he gave a delighted bow and that was the last time I saw him. Yes Mr Bolet was a very special link to another age.