@howardalex Thank you. I had a Radford ST50 long time ago with MO KT88s. Sweet and powerful with 3D imaging. But the big caps dried out and I let it go. My modified EICOs stun me every day with their control, detail, color and lifelike sound on the ESLs.
LONDON Decca, Tzar DST and similar cartridges
I have always been curious about these phono cartridges and the Stereophile review of the Tzar DST has heightened my interest. When I read about the peculiarities of these cartridges, I am put off from trying them. Can anyone offer persuasive reasons to try them and also provide real practical advice on how to make them work reliably? Tonearm suggestions? Phono preamp suggestions? Damping recommendations? How badly do they grind out record grooves? Any other words of advice? Thanks.
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This is for you Bydlo....to keep you going till your LDR arrives 😃 I run mine at the recommended 1.8Gm (2/3 Static Force, 1/3 Dynamic) with a modicum of Antiskate 🤏 This shows the versatility of the LDR to 'rock' despite the often disruptive interference of Phil Spector.... LONDON DECCA REFERENCE |
@howardalex, a while ago there was some talk on this forum about 'special' FR7's with unbelievable specs. Very rare and perhaps aimed at the professional market, as you suggest. In any case, it appears you are in possession of something truly special! The FZ version is usually quoted as the best of the regular models, but I have come to prefer the MC 702. Another peculiar and rare one, apparently the last of the FR7's and supposedly aimed at the European market. Whatever the case may be, it is exquisite. |
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