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Cartridge loading

Presently I am using a ZU/Denon DL103 mc cartridge with ZU Audio's highest tolerances.  I had this cartridge mounted on my VPI Prime and after going through all the various loading combinations, I settled on 200 ohms.  I was always satisfied with my choice of setting.  I no longer have the Prime and now use the Technics SL1200G turntable.  After having the same cartridge mounted and aligned by the dealer, I inserted it into my system and enjoyed the sound immensely, never touching the 200 ohm setting.

Yesterday I was listening to vinyl most of the day and for some reason I found the sound to be better than ever, mostly in the treble area.  The highs had shimmer when needed and I had played the same records many times before on the Prime and they never sounded as good as they did yesterday.  Just for the heck of it, I checked the cartridge loading and found it was now set at 1000 ohms.  As I said, when I put the Technics into the system, I never bothered changing the loading which was at 200 ohms as it was the same cartridge, just a different turntable.

I believe I know what happened, when I last used the tone controls on my McIntosh preamp, (you have to shuffle through a menu) I must have inadvertently put the cartridge loading at 1000 ohms.  It truly sounds fantastic, better than I ever thought possible.  The Bass is still very deep and taut, midrange is the same but the treble, oh my, so much better.  Now the million dollar question is why should it now sound better at 1000 ohms, when it sounded great before at 200 ohms?  Can the tonearm on the Technics have an effect on cartridge loading?  I always thought it was all dependent on the preamp, amp and speakers.  What am I missing here?  I am very curious to know.  The specs for my cartridge say greater than 50 ohms for loading.

Thanks
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antinn
408 posts
 
Bydlo,

That article was modeling the mechanical resonances as an equivalent electrical circuit.  I was trying to show that the mechanical resonances were more complex than I originally thought, and if the cartridge goes into physical resonance (which is more likely at high frequency), then there will be a high harmonic distortion (EMI/RFI) produced.  Its my understanding that LOMC, are poor voltage generators, but good current generators which is why the new generation of LOMC preamps are current sensing.  If a capacitor saturates because of the high harmonic current, and there is no dampening resistor, the only thing that is left is the capacitor equivalent series resistance (ESR). If the circuit current suddenly increases, this will by the back emf, dampen the motion of the cartridge armature (stylus-cantilever-suspension), and may depending on where on the record this is occuring (i.e. radial velocity), cause miss tracking.  So long as the current was not outrageous and the capacitor is not damaged, and most will self-heal, once the current drops, the capacitor returns to function.  So the event can be very transient.  
danvignau's avatar
danvignau
935 posts
 
Around 1980, the B&W and Audire Florida rep was my neighbor near my family's St Augustine beach house.  He turned me on to both brands, and suggested a Supex 900 E+ M/C to replace my Ortophon.  I bought an Audire Diffet 1A  preamp, which had a three position impedance selector.  He changed the 40 ohm input resistor to a 10, really opening up that cartridge.  BTW, I had thought my Phase Linear Stacked Advent system was good, which is was for my grad student party system, but he enlightened me. 
chakster's avatar
chakster
6,144 posts
 
The topic about Cartdige Loading is hot.
But here is something about Speakers Loading from Zu Audio:

https://www.zuaudio.com/low-voltage/2020/1/24/loading-resistors?mc_cid=709c630e33&mc_eid=cdb0d19c49

bydlo
142 posts
 
@antinn

That article was modeling the mechanical resonances as an equivalent electrical circuit. I was trying to show that the mechanical resonances were more complex than I originally thought, and if the cartridge goes into physical resonance (which is more likely at high frequency), then there will be a high harmonic distortion (EMI/RFI) produced.
Indeed it's more complicated than just a mass on a spring as there comes into play the vinyl resonance (I admit I never thought about that).
But getting a mechanical resonance radiate into RF range I think is not easy. Ultrasonic yes, but RF we are talking about some 40-50kHz at least.

Its my understanding that LOMC, are poor voltage generators, but good current generators which is why the new generation of LOMC preamps are current sensing.
Again: MC and MM cartridges work by the electromagnetic induction. What they generate is voltage. What I mean is if you play a cartridge unconnected what you will measure on its pins is a voltage but no current flow as the circuit is open. So cart is a voltage generator. Now, you in the electric circuit theory you can exchange current and voltage sources on the paper. You can redraw any circuit using voltage sources to current sources and vice versa. BTW the current source at teh Shures schemtics is wrongly drawn. Series resistance makes no sense with current sources. What I suspect the "current generator" thing mean is that LOMC's have a low internal resistance so for a given output voltage they will push more current. And this is of course a fact.

If a capacitor saturates because of the high harmonic current, and there is no dampening resistor, the only thing that is left is the capacitor equivalent series resistance (ESR). If the circuit current suddenly increases, this will by the back emf, dampen the motion of the cartridge armature (stylus-cantilever-suspension), and may depending on where on the record this is occuring (i.e. radial velocity), cause miss tracking. So long as the current was not outrageous and the capacitor is not damaged, and most will self-heal, once the current drops, the capacitor returns to function. So the event can be very transie
Sorry, cannot understand what you mean here. Which capacitor? Can you point me to the relevant passage from your links?





antinn
408 posts
 
bydlo,

First, the sequence of events is dependent on the cartridge and the pre-amp.  One of the premises of this entire thread has been the limits of 'some' pre-amps.

This article is an extension of the first Shure article I referenced, and it goes deeper into the cantilever stiffness, with the risk of mistracking at high velocity.   http://pspatialaudio.com/analogy.htm#cantilever.  This mechanically induced instability will lead to harmonic distortion.

From this article https://www.analogplanet.com/content/current-affair-intriguing-mr-labs-vera-20-mc-phono-preamplifier, the statement is made that LOMC  "Moving coil cartridges output very low voltages but relatively high current on the order of tens of micro-amperes".  Dynamic microphones that operate on the same principle, state current output. https://www.audio-technica.com/cms/site/b0d226992d31e25d/index.html/

Depending on the pre-amp, using this as an example, https://sound-au.com/project06.htm, if there is a line to line capacitor with no dampening resistor, and IF the capacitor saturates from the harmonic distortion, then the events should be setup for a high current to occur.  So, it may be that the mechanical instability begins the event, but the consequence is that a small mistracking event can cause harmonic distortion that because of the poor preamp design leads to an even larger mistracking event.


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