There's a lot more bass in a 6.5" driver than most of you think


One topic of discussion I often see new audiophiles touch on is whether to get larger speakers for more bass.

I usually suggest they tune the room first, then re-evaluate. This is based on listening and measurement in several apartments I’ve lived in. Bigger speakers can be nothing but trouble if the room is not ready.


In particular, I often claim that the right room treatment can make smaller speakers behave much larger. So, to back up my claims I’d like to submit to you my recent blog post here:

https://speakermakersjourney.blogspot.com/2020/01/the-snr-1-room-response-and-roon.html


Look at the bass response from those little drivers! :)


I admit for a lot of listeners these speakers won’t seem as punchy as you might like, but for an apartment dweller who does 50/50 music and theater they are ideal for me. If you’d like punchy, talk to Fritz who aligns his drivers with more oomf in the bass.


erik_squires
Distrubuted bass addresses room modes, probably with more success than other solutions.


Well, definitely not without it's own share of complexity and cost.

Not sure what we are discussing here with respect to infrasounds (<20Hz).

My statements about being able to get a sub flat to 16 Hz go back to something you said earlier:

The Swarm, when sealed, goes down to 18Hz


Meaning, again, a swarm is not the only solution to great bass in a room. I can solve the room mode problem, and get wonderful bass in the same scale as you claim for the Swarm with a single sub, bass traps and EQ.

@pirad Description of the Magnepan subwoofer accompanying the "condo" 30.7.

"The bass unit was about 3 feet tall and about 1 foot wide. The cabinet or structure consisted of a V shaped open baffle with 8 total drivers—4 vertically mounted dynamic cone woofers on each side of the V. These woofers were approximately 6.5 inches in diameter. Though there has been several dynamic cone dipolar designs attempted before, Wendell commented that this was a unique design that utilizes DSP and would eventually be patented. Yes, I said DSP!  

Though Wendell used the term "dipolar" for the bass units, I was told that the key design elements were the dual array and open baffle mounting along with the use of DSP. With this in mind, he also used the term "dual-dipolar" for the entire system to reinforce that this is a unique overall configuration and yet it still has the ability to be competitive with an all magnetic dipolar design."



There is no complexity to distributed bass. Place  three similar subs randomly along the walls. 
The flatness of frequency response  is irrelevant under 20Hz. Actually 18Hz is often a safety cutoff point for infrasounds, especially if you use vinyl. Good sub amps (like Dayton SA1000) have this feature. 
Sound traps need to be very very big to be effective at low frequencies. 
Anechoic chambers measure them in half wavelengths, and 20Hz wave is 55' or 17 meters.
When you EQ one sub, what you effectively do is ameliorate the modes situation at one spot (eg. your listening position) and make it worse elsewhere. It is easier to place the sub next to your armchair and delay it.
But of course everybody is free to choose his bass ways. In the end it is in the ear/brain  of the listener.
When you EQ one sub, what you effectively do is ameliorate the modes situation at one spot (eg. your listening position) and make it worse elsewhere. It is easier to place the sub next to your armchair and delay it.

This is only partially true. With room tuning, you can take care of it all at once. Please read up on the proper use of EQ in partnership with bass traps.

And adding 3 more subwoofers to me is complexity. Three more subs than you would need otherwise, in addition to the signal cables. That’s definitely not for me and my home.

To be clear, I’m not advocating that there is only one possible truth to good bass. I am saying, religious fanaticism about swarms prevents us from looking at other very good alternatives. I worry that the fans of Swarms have gone from 1 bad subwoofer, to 4, and jumped all possible steps in the middle, so they discount them as inadequate, which is a shame in my view.

@twoleftears 

Your quoted the Positive-Feedback report

"Description of the Magnepan subwoofer accompanying the "condo" 30.7.

"The bass unit was about 3 feet tall and about 1 foot wide. The cabinet or structure consisted of a V shaped open baffle with 8 total drivers—4 vertically mounted dynamic cone woofers on each side of the V. These woofers were approximately 6.5 inches in diameter. Though there has been several dynamic cone dipolar designs attempted before, Wendell commented that this was a unique design that utilizes DSP and would eventually be patented. Yes, I said DSP!  

Though Wendell used the term "dipolar" for the bass units, I was told that the key design elements were the dual array and open baffle mounting along with the use of DSP. With this in mind, he also used the term "dual-dipolar" for the entire system to reinforce that this is a unique overall configuration and yet it still has the ability to be competitive with an all magnetic dipolar design."


The bass solution decribed by Magnepan's top salesman as "unique" is not really so. All dipole speakers need EQ and since the cost of DSP fell down, it replaced discrete electronics. Siegfried Linkwitz (RIP) was a great proponent of dipoles, both in his corporate audiotech guru capacity and later as the "people's constructor". Go to linkwitzlabs.com His last design LX521 is a four-way and DSP controlled dipole. You can still buy the license and plans for $150. Total materials cost, if I remember correctly, ca 2k. His bass is a two-way V-frame, with two 10 inch dynamic cone drivers working in opposition. The phase is inverted on the back one, so the drivers work in push-pull configuration. That's what Wendell probably describes as "dual-dipolar". The LX521 is 10x cheaper and likely also 10x smaller than the 30.7 Magnepans. I would love to hear them in direct comparison.