hello all- apologies for not responding sooner but work was been crazy.
Thank you for the great suggestions- I did a bit of reading on the NVO and it really does sound like something I should consider- and lo and behold! there is a used one for sale. BUT it is a tad out of my range at basically $3000.
@baralobrain
If I could get a 1.2 at $2k I would dealt- I have only been able to find the PS1 used at that price- actually not even that that price but more like $2100 or so.
Since I can get an Allnic 1202 for $2600 I kind of feel that would be the smarter proposition (it would be new open box).
I also came across Art Audio Vinyl Reference for $2000 and have heard and read very good things about it.
Lastly, do you have any experience with the phono module for the Vinnie Rossi LIO? I could get a LIO which I have always been interested in trying against my PL- and spoke to Vinnie and he has some of the phono modules he could install. The interesting aspect of his Phono module is that he uses Cinemag transformers for the MC gain (goes to 60db). It is an interesting alternative. So in ine shot I could do a preamp and phono test.
If I don't go this route and don't find an older PHD at a good price I think that for SS I may go with the PS Audio Stellar Phono Micheal Fremer loves so much .
Tube- really trying to nail down an alternative to go with. Allnic is more that I'd like to spend if I can help it- so then there are all those others you mentioned. And it just isn't easy! So many good suggestions....
In terms of system synergy I think many are always trying to find the right balance between brighter and dynamic without spliing ober to overly detailed and etched, Other situations where the phono tends to be more laid back is sometimes considered a bit boring. For my part, with the Thiel 3.7's which are lively of themselves I am less concerned about that aspect- what I do want to achieve is greater texture, and a deeper more defined soundstage. As an example I was recently listening to Chet Atkins/Mark Knopfler Neck and Neck- wonderful record. The system presents very very well- I am amazed at some of the nuances in their playing you can pick up from the grooves; and the speakers just disappear. However I think there could be a more defined separation between Chet and Mark in a more 3 dimensional stage. It is there but you have to follow closely to make sure you understand the intricate back and forth- I think this could be better portrayed without having to make as much of a mental effort.
Anyway, sorry I am rambling.
Just wanted to explain in a bit more detail where I am trying to go.....
Thank you for the great suggestions- I did a bit of reading on the NVO and it really does sound like something I should consider- and lo and behold! there is a used one for sale. BUT it is a tad out of my range at basically $3000.
@baralobrain
If I could get a 1.2 at $2k I would dealt- I have only been able to find the PS1 used at that price- actually not even that that price but more like $2100 or so.
Since I can get an Allnic 1202 for $2600 I kind of feel that would be the smarter proposition (it would be new open box).
I also came across Art Audio Vinyl Reference for $2000 and have heard and read very good things about it.
Lastly, do you have any experience with the phono module for the Vinnie Rossi LIO? I could get a LIO which I have always been interested in trying against my PL- and spoke to Vinnie and he has some of the phono modules he could install. The interesting aspect of his Phono module is that he uses Cinemag transformers for the MC gain (goes to 60db). It is an interesting alternative. So in ine shot I could do a preamp and phono test.
If I don't go this route and don't find an older PHD at a good price I think that for SS I may go with the PS Audio Stellar Phono Micheal Fremer loves so much .
Tube- really trying to nail down an alternative to go with. Allnic is more that I'd like to spend if I can help it- so then there are all those others you mentioned. And it just isn't easy! So many good suggestions....
In terms of system synergy I think many are always trying to find the right balance between brighter and dynamic without spliing ober to overly detailed and etched, Other situations where the phono tends to be more laid back is sometimes considered a bit boring. For my part, with the Thiel 3.7's which are lively of themselves I am less concerned about that aspect- what I do want to achieve is greater texture, and a deeper more defined soundstage. As an example I was recently listening to Chet Atkins/Mark Knopfler Neck and Neck- wonderful record. The system presents very very well- I am amazed at some of the nuances in their playing you can pick up from the grooves; and the speakers just disappear. However I think there could be a more defined separation between Chet and Mark in a more 3 dimensional stage. It is there but you have to follow closely to make sure you understand the intricate back and forth- I think this could be better portrayed without having to make as much of a mental effort.
Anyway, sorry I am rambling.
Just wanted to explain in a bit more detail where I am trying to go.....