If I didn’t prefer the Parasound, though, I supposed I could get an external crossover and have that feature with a different preamp — perhaps with more precision, even? That would allow me to get the preamp I like best *and* having the control a crossover gives.
If I have this wrong, or if adding a crossover is a complicated affair, please set me straight. This solution could be the one that splits the difference.
That’s certainly possible, of course. But the initial complication would be choosing an external crossover that would have minimal sonic side-effects while costing an amount that is reasonable in relation to the costs of the other components.
Some pro-oriented active crossovers can be had for less than $200, while other pro-oriented as well as audiophile-oriented models can cost many thousands. (The pro-oriented ones, btw, often provide only XLR and/or 1/4 inch connectors, rather than RCA connectors). I can’t comment on where within that wide price spectrum the sweet spot might be for your purposes.
Another possibility would be a passive crossover, perhaps constructed by yourself, consisting simply of a capacitor for each channel, an enclosure, and appropriate connectors. The value of the capacitor (i.e., the number of uF, or microFarads) would be chosen to provide the desired crossover frequency based on the input impedance of the particular amp that is being used. The main upside of that approach is of course low cost. The downsides include slow rolloff (6 db/octave), and the difficulty of determining what crossover frequency is optimal for the particular speaker and hence what the value of the capacitor should be.
Regards,
-- Al