Dear @jeffvegas : """
I am focusing on a solid table to build a analog foundation on. """
I agree with @fleschler VPI as TT is better than the Project or Rega as BD TTs and agree with him that unipivots are not for LPs.
The Technics I liked to you is really inexpensive but it can challenge any TT over 10K. Technics was in the audio several years before VPI or other BD manufacturers and Technics is member of the gigant Matushita japanese enterprice with all its resources for research and manufacturer qualuity second to none.
Technics is not only a first rate DD TT but comes with very good gimbal ( low friction bearings. ) bearing and uses magnesium as build material that is self dampened and this tonearm is a true cartridge foundation. We have to remember that cartridge/tonearm combination is one audio item due to extremely dependent/relationship in between cartridge and tonearm.
The Technics removable headshel tonearm design permits to mate every single cartridge with the tonearms because you can have several different weigth, different build material and different building shape headshells to mate any cartridge characteristics. Along all those you can change the headshell wires for better ones ( this is really a critical point. ) and latter on you can rewire the tonearm with a silver wire that's really good.
No one can't go wrong with Technics.
Now, I don't know why you are sticked with BD TT maybe because you could think that a external motor can give you lower noise/distortion levels but things are not in that way not with Technics DD TT or other DD units.
Example the Technics vintage SP10MK3 came with a SN figure of -92db and the vintage Pioneer Exclusive P3a with an outstanding -95db !! no single vintage or today BD can compare it, all BD are far away of those real DD specs. As many of us I think that you need to learn by your self with less imagination by your self. You need to " work " with facts.
@helomech that DAC with the latest AKM device for only 700.00 is a state of the art bargain today. Thank's for the link.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
I agree with @fleschler VPI as TT is better than the Project or Rega as BD TTs and agree with him that unipivots are not for LPs.
The Technics I liked to you is really inexpensive but it can challenge any TT over 10K. Technics was in the audio several years before VPI or other BD manufacturers and Technics is member of the gigant Matushita japanese enterprice with all its resources for research and manufacturer qualuity second to none.
Technics is not only a first rate DD TT but comes with very good gimbal ( low friction bearings. ) bearing and uses magnesium as build material that is self dampened and this tonearm is a true cartridge foundation. We have to remember that cartridge/tonearm combination is one audio item due to extremely dependent/relationship in between cartridge and tonearm.
The Technics removable headshel tonearm design permits to mate every single cartridge with the tonearms because you can have several different weigth, different build material and different building shape headshells to mate any cartridge characteristics. Along all those you can change the headshell wires for better ones ( this is really a critical point. ) and latter on you can rewire the tonearm with a silver wire that's really good.
No one can't go wrong with Technics.
Now, I don't know why you are sticked with BD TT maybe because you could think that a external motor can give you lower noise/distortion levels but things are not in that way not with Technics DD TT or other DD units.
Example the Technics vintage SP10MK3 came with a SN figure of -92db and the vintage Pioneer Exclusive P3a with an outstanding -95db !! no single vintage or today BD can compare it, all BD are far away of those real DD specs. As many of us I think that you need to learn by your self with less imagination by your self. You need to " work " with facts.
@helomech that DAC with the latest AKM device for only 700.00 is a state of the art bargain today. Thank's for the link.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.