Best Tonearm and Cartridge for 4K or under for restored Garrard 301


I have a good set up for digital audio and would like to venture into analog audio. My digital set up is
Cary DMS600 -> Cary SLP05 -> Cary CAD211FE -> KEF Blade. I love the sound!

My first and only TT is a Thorens TD126 with TP16 tonearm and TMC60 MC -> PPA990 and phono stage is Cary PH302.

I bough an old Garrard 301. Planning to get it restored by Jim Campbell. Have a slate plinth. Now I am looking for a tonearm and cartridge that will justify my set up. I am thinking 4K. I could go lower or higher depending on the feedback, cost/value. I am looking for a good bargain. If I don't like it, I can easily sell it without much loss. I listen to classical, jazz, rock, indian music. 

I have never setup a tonearm before. But I looked extensively on the internet and Michael Fremer's how to set up videos. I understand all the different angles, VTA, SRA, Azimuth, Zenith. 

Looks like Michael likes Kuzma 4PT, I liked his review of the tonearm.
I am also looking at linear trackers like Transfi Terminator.
Woody, Triplaner Mk VII, SME 3012R, SME 312, Ortofon RS 309D, Dynavector DV 505/ 507, Reed 3P, Stogi reference, FR 64S, FR 64 FX, Sumiko 800.

kanchi647
I bought my Garrard 301 from Greg. Greg says he found it at an estate sale in essentially NOS condition-as if it had barely been used if ever. He cleaned it up and installed an AudioSilente idler and an SMD Acoustics main brass bearing from Peak Hi-Fi at my request. https://www.peakhifi.co.uk/cgi-bin/ecom.cgi?Command=ShowProduct&db_pid=718
Greg does not build plinths and does not particularly enjoy even dealing with plinths. He did recommend the Ray Walker PSU and so I bought one, had it shipped to Greg, and Greg assembled the wiring to make it easy to integrate  https://www.classichifi-shop.co.uk/product/classic-301-401-power-supply-unit-psu/
I kept the old grease bearing since it has virtues of it's own that I may wish to take advantage of someday. 
I then ordered the plinth from Russ Collinson and installed the Garrard chassis into the Russ Collinson plinth and then gilded the lily by adding this beauty  https://www.peakhifi.co.uk/cgi-bin/ecom.cgi?Command=ShowProduct&db_pid=1258

Now on my Thorens TD124, it was entirely different. It had been in my family for 60 years since my dad bought it brand new in 1959. It needed a lot of TLC. Greg stripped it down to the chassis and parts, had the chassis sandblasted and repainted to original cream color and at the time, Greg was able to supply a massive machined aluminum platter and custom bearing of his own design. He supplied the plinth and took all the steps necessary to implement the 12" Reed 3P including having a custom pillar pod machined to raise the arm the necessary height for the thick platter (something rather unique to TD124's where the chassis is elevated over the OEM platter more than usual). It too got a bunch of after-market parts including the AudioSilente idler. Greg's real passion and expertise is with Thorens and the 124. He studied repair of the 124 in Switzerland under one of the former Thorens technicians for several weeks many years ago. 

You are best off shipping your project to Greg and then only going to see  him when the project is done and ready for pick-up. He lives out in the boonies and prefers to meet at neutral locations. I never asked but assume he prefers his privacy and that his house and workshop are exceedingly difficult to find if you are not a local. 

And last, I live in suburb of Columbus OH. If you are ever nearby and want to see/listen, just PM me. 
Lots of good suggestions and ideas. A couple comments:
1) the Cary phono pre has somewhat low gain for mc and limited loading (100/47k).  This may all be a non issue but take it into consideration. ( on the other hand the Cary preamp has a fair amount of gain...). In general it may be best to stick with carts .5mv and up...

2) finding a really good Fr7f/z will take some hunting. I have a regular fr7 and its nice but not fantastic. I'm not afraid of vintage carts but you cannot ignore that they are old...
3) this may be a process of discovery since OP preferences are not included yet...so an arm with good flexibility for various carts makes sense.
@fsonicsmith Lovely system. 

@kanchi647 The Precision Audio Components platter is aluminum from CTC.
https://www.classichifi-shop.co.uk/product/aluminium-platter-20mm-over-sized-satin-black-finish/

The SPH grease bearing is from sphBearing@gmail.com. Subject to availability. 
finding a really good Fr7f/z will take some hunting. I have a regular fr7 and its nice but not fantastic. I’m not afraid of vintage carts but you cannot ignore that they are old...

Regular FR-7 and FR-7fz is day and night difference.
I have compered these two FR-7f & FR-7fz versions and "fz" is much better.

This particular series (if the stylus is not worn) is the best investment because sealed suspension never fails. No one never seen any FR-7 sample with weak suspension/damper. This is just a proper design by Ikeda-San. Loads of fans here on audiogon.

Another killer Japanese LOMC is Miyabi Standard and Miyabi MCA from Takeda (Legendary cartridge designer). 
Those vintage MC cartridges are pure magic! 

Fidelity-Research FR-64fx tonearm with stock counterweight is not heavy, but with this optional W-250 counterweight (double size) and heavier headshell (or over 30g SPU alike cartridges) is heavy. The 64s is heavier by default, because the armtube alone is heavier, but two counterweight cab be used for different cartridges.

kanchi, I think OMA was known and is known for slate plinths, not granite. Many of the cognoscenti who have tried granite (I have not) were underwhelmed and preferred slate.  Furthermore, there is a wonderful low production turntable based on the Lenco idea (the Saskia) that is entirely made of slate and very well regarded at the high end.