@stringreen I disagree with your statement that the Suzuki method “thwarts musicality”.
First, a famous pianist (I think it was Rubinstein) said that “the music happens between the notes”. A piano is different than a violin. With a piano, you can only control the volume and length of a note. With a violin, there are many more variables that can be changed (such as intonation (an D# isn’t an Eb), the contact point of the bow and string, bow speed, accents, vibrato, left hand positions, and harmonics), that all can be used for the purpose of expressing a unique “musicality”.
Second, Shinichi Suzuki himself said that “a beautiful soul will create beautiful music”. It goes against some of the basic postulates of the Suzuki method to say that it “thwarts musicality”. Skills such as memorization can only help musicality.
On a positive note, there is a limited number of Suzuki teachers in the world, and I’m curious who you have studied with. Will you be teaching at any Suzuki institutes this year?
First, a famous pianist (I think it was Rubinstein) said that “the music happens between the notes”. A piano is different than a violin. With a piano, you can only control the volume and length of a note. With a violin, there are many more variables that can be changed (such as intonation (an D# isn’t an Eb), the contact point of the bow and string, bow speed, accents, vibrato, left hand positions, and harmonics), that all can be used for the purpose of expressing a unique “musicality”.
Second, Shinichi Suzuki himself said that “a beautiful soul will create beautiful music”. It goes against some of the basic postulates of the Suzuki method to say that it “thwarts musicality”. Skills such as memorization can only help musicality.
On a positive note, there is a limited number of Suzuki teachers in the world, and I’m curious who you have studied with. Will you be teaching at any Suzuki institutes this year?