Barfbag,(sorry I called you Fishboat)
I'm thinking that you can chose high quality caps of the same values and have the same results (with greater resolution, textures, air and space). The method Peter was using, was to dial in different values while listening, nothing more than that as I understand it. He was always employing, as I remember first order crossovers.
Jim Thiel, an old friend and mentor of mine, used to rave about HIS friend Peter and his designs. He was truly a legend.
I'd be comfortable in changing the crossover, just be sure to use caps that you have confidence in, like Auricaps, which I used in the LSA Sig and Statements. Or, better yet, if the budget allows, use Mundorf.
Silver solder would be in order too...others may have better ideas, but this should be reasonably good advice.
Larry
I'm thinking that you can chose high quality caps of the same values and have the same results (with greater resolution, textures, air and space). The method Peter was using, was to dial in different values while listening, nothing more than that as I understand it. He was always employing, as I remember first order crossovers.
Jim Thiel, an old friend and mentor of mine, used to rave about HIS friend Peter and his designs. He was truly a legend.
I'd be comfortable in changing the crossover, just be sure to use caps that you have confidence in, like Auricaps, which I used in the LSA Sig and Statements. Or, better yet, if the budget allows, use Mundorf.
Silver solder would be in order too...others may have better ideas, but this should be reasonably good advice.
Larry