The Harmon Kardon late cassette decks shared a warm and dynamic sound like Tandberg. I found the Nakamichi more reliable (serviced twice in 20 years) versus the constant problems with the Tandberg (and RR as well). I used only top quality Maxell and TDK tapes, at the end metal in ceramic housing. This is the way I created great sounding cassettes. As to pre-recorded, I now remember that I have about 400 more pop cassettes in boxes that had either way too much hiss, or with Dolby B, lacking in highs/compressed highs. Unacceptable.
As to CDs having a litany of faults by geofkaitt, I don't know what the heck he is hearing except that my mastering engineer friends and audiophile friends (pardoning my analog LP only friends) get magnificent sound out of correctly mastered CDs. Jazz and classical are particularly well remastered whereas rock has had a worse record. A 1985 Kyocera 310 or 410 CD player is superior cassette players based on my experience in a high end system. My 2 track 7.5 ips RR pre-recorded tapes from the 50's slaughter the cassette. If a jazz or classical music CD fails to breathe/recreate natural ambiance either the mastering, player or both are inadequate.
As to CDs having a litany of faults by geofkaitt, I don't know what the heck he is hearing except that my mastering engineer friends and audiophile friends (pardoning my analog LP only friends) get magnificent sound out of correctly mastered CDs. Jazz and classical are particularly well remastered whereas rock has had a worse record. A 1985 Kyocera 310 or 410 CD player is superior cassette players based on my experience in a high end system. My 2 track 7.5 ips RR pre-recorded tapes from the 50's slaughter the cassette. If a jazz or classical music CD fails to breathe/recreate natural ambiance either the mastering, player or both are inadequate.