The "Big Room" thing always mystifies me...where are the Big Room people listening? 50 feet away from the speakers? My listening space is relatively large but I sit 8 or 9 feet from the speakers because that's where they sound best for me...not 30 feet away (which I could do I suppose)...my 2 little subs can rock the walls I guess but they aren't required to, and unless a room is full of inebriated dancers who cares? I can wheel out the pro stuff for that (and have for house concerts). If I want "big room" sound I get it from the concerts I mix for hundreds of people using thousands of PA watts for clarity with actual musicians (pre corona of course). In Goodwins "large room" listening area you aren't standing 100 feet away from the Magicos, nor should you.
How does this make sense, any sense? Any sense at all??
I was just looking at Stereophile's recommended components, for speakers.
Within the Class A restricted extreme low frequencies category are:
KEF LS50 at $1500 and
Wilson Sasha at $38,000.
Why would you pay 38 grand when you can get the same category for 1500? Why I say?
Even worse!!!
In the full range Class B category we have the KEF Ref. 5 at $20,000.
Why would you wanna pay $20,000 for a speaker that is outclassed by the same family (KEF LS50) at a fraction of the price?
How does this make any sense????
Stereophile, seriously. Let 'er rip homie.
Within the Class A restricted extreme low frequencies category are:
KEF LS50 at $1500 and
Wilson Sasha at $38,000.
Why would you pay 38 grand when you can get the same category for 1500? Why I say?
Even worse!!!
In the full range Class B category we have the KEF Ref. 5 at $20,000.
Why would you wanna pay $20,000 for a speaker that is outclassed by the same family (KEF LS50) at a fraction of the price?
How does this make any sense????
Stereophile, seriously. Let 'er rip homie.
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- 49 posts total
- 49 posts total