Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
Brian, I agree with Tim (Tbabb) re selection of tracks. Redbook and hi-rez should be a/b'd; also try to include different genres - after all, the challenges presented by large orchestral music are different than those presented by acoustic jazz or rock. I'm looking forward to reading the results/observations.
If you folks are looking recordings for your shootout, check out Geri Allen’s The Life of a Song on Telarc
(CD-83598/SACD-63598).

I haven't heard the SACD, but the redbook is the best sounding DSD recording I've heard.
Brian,

I got your e-mail. Neither 1MarkR (newly Wright modified 999ES) or 711 (APL 3910 & Modwright 3910) are available. I really think we should wait. Actually, 711 is still waiting for Dan Wright to complete his mod of the 3910 so its not even in his possession. 1Markr just received his unit this week and is still trying to log in burn-in time.

I think having these three components in the contest are critical. Although 711 has invited me to pick up his 3910 to bring to the shoot-out (sans 711), there is no way in h*ll I want to conduct a shoot-out without his presence!

Since he has been so loquacious and adamantly fervent about how great the APL gear is I want to see his reactions and hear his comments when other gear at the shoot-out is equal if not superior. Just watching his reactions is worth the price of admission! Addtionally, there a host of people on this forum who bought the APL 3910 based on his accolades. So I want them to hear whatever conclusions are drawn from the shootout from the horses mouth.

Brian, I'll contact you privately by phone so we can reschedule. I know you want to move forward ASAP but since we probably only have one shot at doing this thing right I want to make sure we take full advantage and have as many participants (as time and space permits) as possible.

AVGURU