IM Distortion, Speakers and the Death of Science


One topic that often comes up is perception vs. measurements.

"If you can't measure it with common, existing measurements it isn't real."

This idea is and always will be flawed. Mind you, maybe what you perceive is not worth $1, but this is not how science works. I'm reminded of how many doctors and scientists fought against modernizing polio interventions, and how only recently did the treatment for stomach ulcers change radically due to the curiosity of a pair of forensic scientists.

Perception precedes measurement.  In between perception and measurement is (always) transference to visual data.  Lets take an example.

You are working on phone technology shortly after Bell invents the telephone. You hear one type of transducer sounds better than another.  Why is that?  Well, you have to figure out some way to see it (literally), via a scope, a charting pen, something that tells you in an objective way why they are different, that allows you to set a standard or goal and move towards it.

This person probably did not set out to measure all possible things. Maybe the first thing they decide to measure is distortion, or perhaps frequency response. After visualizing the raw data the scientist then has to decide what the units are, and how to express differences. Lets say it is distortion. In theory, there could have been a lot of different ways to measure distortion.  Such as Vrms - Vrms (expected) /Hz. Depending on the engineer's need at the time, that might have been a perfectly valid way to measure the output.

But here's the issue. This may work for this engineer solving this time, and we may even add it to the cannon of common measurements, but we are by no means done.

So, when exactly are we done?? At 1? 2? 5?  30?  The answer is we are not.  There are several common measurements for speakers for instance which I believe should be done more by reviewers:

- Compression
- Intermodulation ( IM ) Distortion
- Distortion

and yet, we do not. IM distortion is kind of interesting because I had heard about it before from M&K's literature, but it reappeared for me in the blog of Roger Russel ( http://www.roger-russell.com ) formerly from McIntosh. I can't find the blog post, but apparently they used IM distortion measurements to compare the audibility of woofer changes quite successfully.

Here's a great example of a new measurement being used and attributed to a sonic characteristic. Imagine the before and after.  Before using IM, maybe only distortion would have been used. They were of course measuring impedance and frequency response, and simple harmonic distortion, but Roger and his partner could hear something different not expressed in these measurements, so, they invent the use of it here. That invention is, in my mind, actual audio science.

The opposite of science would have been to say "frequency, impedance, and distortion" are the 3 characteristics which are audible, forever. Nelson pass working with the distortion profile, comparing the audible results and saying "this is an important feature" is also science. He's throwing out the normal distortion ratings and creating a whole new set of target behavior based on his experiments.  Given the market acceptance of his very expensive products I'd say he's been damn good at this.

What is my point to all of this?  Measurements in the consumer literature have become complacent. We've become far too willing to accept the limits of measurements from the 1980's and fail to develop new standard ways of testing. As a result of this we have devolved into camps who say that 1980's measures are all we need, those who eschew measurements and very little being done to show us new ways of looking at complex behaviors. Some areas where I believe measurements should be improved:

  • The effects of vibration on ss equipment
  • Capacitor technology
  • Interaction of linear amps with cables and speaker impedance.

We have become far too happy with this stale condition, and, for the consumers, science is dead.
erik_squires
doesn’t occur in any meaningful way and hence cannot be measured.
Actually, when it comes to speaker drivers (such as woofer, tweeter ....), it has been shown that break-in does change Thiele-Small parameters.

As for breaking in cables, it may require more sophisticated and expensive equipment to measure. Not only that, it’s probably not trivial to measure so it does take some knowledge. These two reasons are probably why you don’t see any publish data.


andy2
... the problem is the equipment required to measure the "breakin-in" phenomenon can be quite expensive that very few cable companies can afford. 
What equipment is that?
OK, someone was really determined to measure break in, you know instead of just talking about it, how would one actually go about it? Gentle readers, I implore you, how would you measure depth or height of soundstage, transparency, separation of instruments, perceived resolution, bass articulation, naturalness of high frequencies, air, presence, and warmth? Hel-loo! Is there a soundstage meter? Is there a glare meter? Cut me some slack, Jack.
Post removed 
Heaudio123, I hate to be the one to burst your bubble but the soundstage physical dimensions of depth, width and height are provided on the recording generally speaking, some recordings better than others and some systems better than others. The reason all three physical dimensions are embedded in the recording is due to the reverberant decay, first and second reflections, echos, etc., you know, just like almost any physical space. It’s a misunderstanding of the facts to say the sound is a result of two sources since even one microphone is capable of capturing all three physical dimensions. Didn’t you know that?