@rauliruegas I should have expressed myself more accurately. Obviously there are tracking errors with any pivoted tonearm. In response to @montesquieu I should have said "no nasty tracking errors". You see, I don't hear audible distortions using Ikeda's specified 230mm S2P distance for the FR64 in combination with the FR7 cartridges, which were designed to be used with this arm (and the FR66). The same goes for using the FR64 with SPU's: no 'nasty' tracking errors.
I know you hate the FR64, but I happen to admire Ikeda's designs and I have no reason to doubt that he knew what he was doing when he chose the Stevenson geometry for his products. As far as I'm concerned the sonic results speak for themselves. If you happen to think differently, that's perfectly fine. I couldn't case less.
I know you hate the FR64, but I happen to admire Ikeda's designs and I have no reason to doubt that he knew what he was doing when he chose the Stevenson geometry for his products. As far as I'm concerned the sonic results speak for themselves. If you happen to think differently, that's perfectly fine. I couldn't case less.