Two questions:
Wasn't Dr. Floyd Toole adamant regarding cables lack of any measurable difference hence no sonic effect in the audio chain? Am I misstating this?
Did Earl Geddes design for Behringer (processor) or simply use their processor?
Wasn't Dr. Floyd Toole adamant regarding cables lack of any measurable difference hence no sonic effect in the audio chain? Am I misstating this?
Did Earl Geddes design for Behringer (processor) or simply use their processor?