Why no interest in reel to reel if you're looking for the ultimate sound?


Wondering why more people aren't into reel to reel if they're looking for the ultimate analog experience? I know title selection is limited and tapes are really expensive, but there are more good tapes available now than ever before.
People refer to a recording as having "master tape quality",  well you can actually hear that master tape sound through your own system and the point of entry to reel to reel is so much more affordable than getting into vinyl.  Thoughts? 
scar972
"Cassettes can be pricey, too. The 100 most expensive cassettes are...."
More ridiculous the title, more likely to be on the list.
Much of Nebraska was recorded on the Tascam Cassette Porta Studio. ( I owned one ) One of the reasons I advocate serious audiophiles make live music recordings is to discern merits and - of format, mixer, cable, microphone, microphone preamp, etc....

of course Nebraska perfectly suited to the Tascam 
@hypoman right on, have yet to meet a zoom product that sounds bad and does not provide shocking value.

i built an Anvil case for rack mount B-77 Mk3, and all the other claptrap... oh the days of A-77 with the built in carry handle



@clio09 thanks for sharing RM :-) you could do that every day and get no complaints from me

was RM using the Sony for music or ???
I've had the same experience with Studer-ReVox, they are excellent machines but they all likely need some work especially replacing those Frako capacitors. I've tried to recap a Revox B-77 before and their PCB board is very prone to trace lifting, I recommend leaving the Studer-Revox to professionals. The Otari and Tascam I originally recommended are a lot more reliable. This is coming from a Studer owner.