Why no interest in reel to reel if you're looking for the ultimate sound?

@terry9 


I have read that this is a tape pre head amp input  and not just a labelled line input. It is also labeled tape head and not tape input. It is also positioned along with the mm input. I think the Marantz 7 preamp might have this too. Watch the “PNWAS  tape meeting with Ki Choi” on YouTube. He talks of this. 

https://m.youtube.com/watch?v=TY6V5AahDU0

This guy probably knows as much as anyone about reel to reel.
 

Check out YouTube “Garrard 301 vs Studer”. Best audio quality of any YouTube I have heard. As good as the 301 sounds when the Studer comes on you don’t want it to leave! But, for sure, tape is a rich man’s game. But it sure is amazing!

You guys crack me up. Sure, RTR sounds great, when it does. But what does it take to get there? Lots of work, parts and mostly $$$. It's like golf - it's supposed to be fun. Until the day you realize that you will probably never get to your performance goal.

I spent years installing and later selling RTR decks to studios and rich celebs. IMO RTR is just waaaay too much work for the average audiophile, to set up but more to maintain And pro/semi pro RTR decks require a lot of routine maintenance. And no one has mentioned yet thew air filtration system you will want for whatever room your RTR is located. Dust/dirt/pet hair are sure fire killers of tape decks.

Just a casual survey: how many of you that want to own RTR decks do or would own a preamp withour a remote control? Just curious...

I have three working Revoxes (A’s & B’s) and an A700 project, which looks like it’s going to remain a project. My pre does not have a remote.

The R’s maintain their settings pretty well, especially when you replace those dirt cheap pots. It’s not very hard to set if you have a spectrum analyzer with a white noise generator. But it's true that my listening room is pretty clean.