If you listen to anything other than Classic Jazz, don't read this.


:)  I'm a Jazz only intermediate audiophile looking to improve my system. i ONLY listen to jazz, and i think that matters. If you are of the opinion that great speakers make all music sound good then move on to the next post, because the premise here is that speakers for Acoustic Jazz ( Big Band to Post Bop) have different requirements. My jazz audiophile buddies and i hav A/B'd lots of different speaker/amp/turntable/cartridge combinations as a fun hobby for the last 3 years. i've gone through at least 3 whole systems to get where i am now:
All Rega System - Rega Exex-R, Rega P3, with upgrades, Rega MC Phono Pre,  Rega Apheta 2 Cartridge, Rega RX5 Speakers. 

It sounds really great, but want to get to amazing if possible, and have recently done some speaker comparisons with some Paradigms and Harbeths that show the RX5's could have a tighter, deeper bass and bit more high frequency... 

The challenge is threefold -
1 )information out there is hard to come by, often confusing and  i haven't found much information specifically on what speakers jazz heads prefer.
2) I want to be able to put them up against my current system in my room, which seems a difficult task
3) They have to look good. Aesthetics matter to me. Tektons and Magnapans are cool But Ugly AF, and not going to work for me.

i want someone to tell me this is the best my system is going to get and just enjoy it (which i do 82.5% of the time), or recommend a few things to try, hopefully with recommendation for speakers to try, but i'm open to other suggestions.

I look forward to your comments :)

sincerely,
Eric the Jazz Snob
128x128ericmbass
While I respect and admire both of these industry stalwarts, I disagree with their assertions. I do agree with atmasphere that no rational mind would purposely design a speaker to play only one type of music. But that does not mean that all speakers are equally good for all types of music.
@br3098 If you have a means of designing a speaker to favor a certain genre of music, its likely that you also have derived a new branch of physics. At the very least you stand to make millions if you can figure out a way to do this. No-one has ever been able to do it before and so currently there are no loudspeaker examples.

On that account the simpler explanation, using Occam's Razor, is that the idea is simply a myth.

The absolute **classic** example of this is the JBL L-100 loudspeaker that has been the rock goto for 40 years. The only problem is, while it is a classic speaker, its not any better at rock than anything else. I find it colored (at least the earlier versions- the new one might be different) and the better the recording, the more the flaws of the speaker are revealed.

Some people say that Cerwin Vegas are what you need for rock as they play loud, but orchestras play loud too and need the same bass response. That bass response is needed for jazz if you're going to get the bass drums right; quite simply what makes a speaker great for one genre of music makes it great for all genres.

@atmasphere: 
If you have a means of designing a speaker to favor a certain genre of music, its likely that you also have derived a new branch of physics.
Ralph, I believe I agreed with you in my last post regarding speaker design.

I will simply say that I have not yet found the "perfect" speaker or one that is absolutely best with all types of music. I wish I could, it would save me a lot of time, money and aggravation.

The idea that particular speakers aren't more suited to some types of music and listening styles than others is absurd.  The most obvious is amplified bass and listening volume.  If you like listening loudly to music with a  lot of bass, you need a different speaker than someone who listens to string quartets.  Obviously.  At any given price point there will be a better speaker for string quartets and a better one for hip hop.  For small scale classical you want to pay for the best midrange and highs you can get, but are willing to sacrifice dynamic range, especially in the bass.  For hip hop, you want to be able to crank up the volume and get a deep bass massage.  A lot more of the money needs to go towards higher quality, bigger bass drivers, a bigger box.  
Eric, acoustic bass is one of the most difficult instruments to get right.
I always use Dave Holland and or Ron Carter records to evaluate records.
I only wish I could get a good recording of Scott Lafaro.
IMHO the only speaker that will get this right along with the other instruments are full range ESLs. Forget dynamic drivers. There is always a crossover in the way that plays havoc with acoustic bass. Check out the Sound Labs Ultimate 545. They are eons ahead of any other speaker their size and price.