Tablejockey, the Gaia’s appear to be working pretrty well under the VPI Classic 2 although I’ve only had them on for one day so far. I played an old Riverside Cannonball Adderly with vibraphonist Milt Hinton album, "Things are Getting Better" last night. The vibes were so well articulated the footers had to be playing a part. I listened to a Sade album too and surprisingly heard a soft male backgound vocal that was buried in the mix. So far It’s been similar, but not as pronounced difference, as placing the footers under the CD player. It’s really to soon to tell though.
My Magico A3 speakers are good at revealing detail, details which the IsoAcoustic feet seem to help deliver to them less encumbered by whatever mess vibration might be adding to the signal. An older Gato Barbieri album on the Flying Dutchman label (before he went commercial) sounded great too with better separation between instruments and more transparent articulation apparent than ever before. If it wasn’t such a pain to get these footers installed I’d try some A/B testing with and without them to be sure. Please share your experience once you get yours. Thanks.
I also have my Classic 2 and CD player on a left-over 24" x 40" floating slab of marble, which does show off the VPI same as yours. It’s a nice touch and got the unused slab out of the storeroom where it sat for almost thirty years unused.
Geoff, too late now.
Millercarbon, I’ll be seeing how well these tweaks add up as you indicate they will, which does make sense from my limited experience so far. As this point I’m trying to prioritize which are the most productive. It’s a fun project to try and maximize what your components are capable of doing. I think I’ll try to put together a list of the myriad tweaks and see if I can get a consensus on what ones people agree on are the most effective, or the opposite.
You would think there might be limits to what you might accomplish in an additive fashion. For instance a lot of tweaks mention they widen the sound-stage. If they all worked you’d think the sound-stage would extend from one end of the house to another. The IsoAcoustic footers have so far helped define the placement of elements within the sound stage which seems a more realistic, but still amazing, accomplishment.
One other thing if you don’t mind my asking, since you’ve achieved good results, how many tweaks have you incorporated to get to where you are now? And do you have any more in mind to try? Thanks,
Mike