I'm definitely an AF listener because I will analyze a song for why I think it brings pleasure. Very rarely will I get a chill from a song, but when I do, it's from just a few songs and always at the same point in the song, so I wouldn't call myself a thrill listener.
While the The 3 Pillars of Great Sound Quality is good because it categorizes and formalizes sound quality and listener types, it needs to be combined with a "What makes this song great" analysis. Having a system that matches the sound quality that a listener likes means nothing if the music sucks. Of course there are differing opinions on what makes a song good or bad, but there are some songs or albums that have generally attained consensuses of great and there should be some detailed analyses of why they are regarded as great (maybe this has been done already so it would just be a matter of compiling the analyses).
For my own personal tastes of what makes a song great, obviously melody is incredibly important. But what I've come to find out is that I get pleasure from music recorded with the wall of sound concept. I want to hear horns, backup singers, strings, etc. I think this is what today's popular music is missing. It's not that the melodies of today's popular music are necessarily bad, it's that it sounds so sparse and uninteresting.
While the The 3 Pillars of Great Sound Quality is good because it categorizes and formalizes sound quality and listener types, it needs to be combined with a "What makes this song great" analysis. Having a system that matches the sound quality that a listener likes means nothing if the music sucks. Of course there are differing opinions on what makes a song good or bad, but there are some songs or albums that have generally attained consensuses of great and there should be some detailed analyses of why they are regarded as great (maybe this has been done already so it would just be a matter of compiling the analyses).
For my own personal tastes of what makes a song great, obviously melody is incredibly important. But what I've come to find out is that I get pleasure from music recorded with the wall of sound concept. I want to hear horns, backup singers, strings, etc. I think this is what today's popular music is missing. It's not that the melodies of today's popular music are necessarily bad, it's that it sounds so sparse and uninteresting.