Steve,
Your comments concerning the Shindo is in a sense surprising in regard to the level of perceived coloration/editorializing it imparted to your system. I do believe the Nenuphars unapologetically reveal all the is placed before them in the signal chain. So I feel that you heard the innate character of the Shindo Giscours as combined with your components and speakers.
I believe you would like the Coincident Statement Linestage (CSL) very much. It utilizes a pair of the 101d DHT tubes and has transformer volume controls rather than one that is resistor based. Of its many attributes what stands out most IMO is the purity and transparency of its presentation. The natural tone/timbre/harmonics are rendered without gratuitous warmth or tint. Yet it’s the antithesis of clinical/threadbare/dry/analytical. The sense of flesh on the bone and living breathing performers is present.It has excellent dynamic capability and is very adept in revealing the nuances and subtleties of music reproduction.
You are very pleased with your Pass SP-22 and I can understand why. There’s no way I could say you’d be even happier with the CSL but I genuinely feel that you’d be pleased with it as well given your desire/preference of purity versus imposed sonic colorations. I suspect that the Vinnie Rossi DHT and the Trafomatic 10y DHT preamplifiers are excellent.
Charles