Mundorf Silver Caps

Call V-Cap and get one of there caps to replace them.

It’s pretty simple, some people can’t hear the difference, because
THEY’RE ears can’t hear the difference.

I just read "I use dayton 1%", I can’t tell the difference".. That is one dry little cap..

If you can’t tell the difference between a Dayton 1% and a TRT Teflon 1%. I understand..
I can. They are night and day. Some folks can’t tell the difference, because they actually don’t have the chops.

Not great ears, just normal hearing. Not damaged. There is a lot of folks with damaged hearing, A LOT..

Just like your vision, a lot of folks have vision issues.

A LOT of folks have hearing issues..

(.....................) if you can hear what’s in the space just before this, you have golden ears.. ok, your extra EXTRA special.. LOL

Regards

@ oldhvy
yeah, so i installed the M EVO oil silvergold caps for budget and space issues, as the supremes are nearly 2x's the size of their little brothers,,these were installed in the preamp,,i did note a  nice sonic resolution,, Then i modded the Defy7 with the Supreme's as highly recommended bya  fellow audiogoner.
And now i can really note a  sonic gain. 
caps make a  dif, = not snakeoil
There is a  yuotube tech guy who feels if he can not measure a  sonic gain in his lab scope/testing equip,,,then its snakeoil,,I commented,,but what about a  nuance,,,can his testing prove the cheap cap is equal to the expensive cap? 
He does not believe this theory, nor do most DIYer's on that forum. 
They feel a  old russian cap is not inferior to M's Jupiter, Auyden copper caps.
To me, thats snakeoil thinking.
Here is one, 
If I were only listening to bass rifts,, then sure a cap is a cap is a cap, 2 cent cap is all you need
https://www.youtube.com/watch?v=zKvNr0PSJnI


Young Ahn is of the camp, a  cap is a cap, Expensive test no better than a  cheap cap,, I wrote to him, he can not acccept this idea of **nuances that can not be measued ona  scope**, He believes that idea is pure snakeoil.. 
Trust me the caps Jadis installed back in the early 2000's, in the Defy are inferior to the Mundorf designs of  2015, the SESG Supremes. 
Had Jadis installed Supremes in the coupling caps, 12 /.47uf, the amp cost would run up significantly higher. 
https://www.youtube.com/watch?v=88JjvvMESGk

" If you can’t tell the difference between a Dayton 1% and a TRT Teflon 1%. I understand..
I can. They are night and day. Some folks can’t tell the difference, because they actually don’t have the chops. "
  Well it is more than that. I believe that a lot of fancy capacitors and tube amps with that warm sound really are adding distortion that many people find appealing. Some like blue others like brown. The "signature" sound of various audio companies or components is merely their flavor of distortion. For instance if you went to  concert I can imagine they used professional amps and speakers. To duplicate exactly what you heard there you either have to use the same equipment or have a method of altering your playback in such a way as to be able to do so with what you own. Anything else is flavoring to suit personal preferences which to many is what it really is all about anyway. I happen to like faithful true to real life audio replication.

  My answer is to use neutral everything I can which in the case of capacitors would be those that measure well and perform their electrical duty without flavoring. It gets me closer to real life on old speakers I rebuild for people. Those fancy caps are not used in all those venues people pay big bucks to go hear live music at.

  For my personal systems I use a Xilica XP3060 to DSP and bi-amp and from there I can change  anything I need to match your flavor of cap. Or your special "warm" tube amp. As a matter of fact I can sit there with my Laptop plugged into the Xilica and change parameters on the fly live if I wish to achieve a certain effect. The advantage of this is that for what some of you spend on one set of caps that will work in one place and way only I bought a method of doing anything I want to any speaker I happen to own to the very upper limits of what that speaker is capable of producing. If I am wanting to have more than one set of speakers to listen to I can store presets for each pair of speakers I own up to 30. Or I can have various presets according to what I want to hear that night with that music genre for the same set of speakers.

It requires time and some learning far beyond what sticking a set of caps on a crossover amounts to but once you jump the hurdle a whole new world opens up and you never go back. Passive crossovers are the way things used to be but no longer have to be.

I happen to like faithful true to real life audio replication.

  My answer is to use neutral everything I can which in the case of capacitors would be those that measure well and perform their electrical duty without flavoring

WEll this should be everyones obvious goal in hifi( that old term from the late 1950's.  rings true here, High Fidelity).
grainy tube amps are not much better than a  razor edge clinical ss amp. 
IMHO speakers are the 1st component to consider, Everything rises or falls due to neutrality or lack of, comming from the speakers voice.
Makes little dif to add expensive caps to a  system if  one or more of the components havea   signature *favoring/coloring*, 
which we can sum up as ~~THe Fatigue Syndrone~~ aka <distortion>