Koetsu Urushi opinions?


Any owners past or present of any of the Urushi model cartridges? Opinions good or bad? Thanks 
tom_hankins
Thanks everyone. I ended up with a My Sonic Lab Signature Gold.  Around 50 hours on it, highly recommended !!
It is not my intention to bring my Slavic brother chakster
 in promblems but his ''parts'' approch by ''explainig'' carts
performance will get in trouble when we introduce ''paint''
as part of the MC kinds.
I owned Rosewood signature first an than got Urushi Blue.
I was not impressed by Rosewood but well by Urushi. Till I
got the informtion that Urushi is ''painted Rosewood''.
The different paints are assumed to give slightly different
''timbre'' to each of them. This expression is used to explain
musical instrument.  The problem for the most of us, except 
frogman, who is musician, is the lack of musical terminology.
This explains our verbal dificulty by posting our contrubutions.
Even some profesional ''analist'' were forced to use Chinese
expressions  to ''explain'' sound they imagined to hear.
I am slso very fond of ''explanations'' but am very reluctant
to use ''paint'' as argument for whatever else except paintings.  






Urushi revisited. Please see above for my original and long-standing opinion of my Urushi. ( I say “my Urushi” because these are hand made , and there may be sample to sample variations.) all of the foregoing evaluations were made using my upstairs audio system which consists of atma-sphere amplifiers driving Soundlab 845 PX speakers. The preamplifier was usually my atma -sphere MP1or the J & R solid-state phonolinepreamp. Most recently in this system  the Urushi was mounted on my Kenwood L07D tonearm using an Ortofon LH 9000 head shell, which weighs 18g by itself. In prior years it was on a Triplanar. The point of all this is to suggest that effective mass seems to have a great deal of effect on the sound of the Urushi . Because recently I moved the Urushi to my basement system which uses the beveridge 2SWs driven by a Manley Steelhead. The Urushi is now mounted on my Fidelity Research FR64S tonearm which has much higher effective mass than the L07D tonearm. Still using the 18g Ortofon headshell. The sound of the Urushi is transformed in this set-up. It’s everything I hoped for when I bought it 10 years ago. Perhaps it is true of all the high end Koetsu cartridges; they really need high effective mass to perform best. It’s not a revelation. Others have noted it before me, but just putting a heavy headshell on a medium mass tonearm, as on the L07D, was not sufficient to bring out the best in this cartridge.
@ nandric I was not impressed by Rosewood but well by Urushi. Till I got the informtion that Urushi is ''painted Rosewood''.
The different paints are assumed to give slightly different
''timbre'' to each of them.

This is simply untrue. The Urushi and the Rosewood series use totally different magnets and windings. (except for the Rosewood Platinum Signature).I find it interesting that you found the Urushi so impressive until you "discovered" its cosmetic difference. Then you ceased to be impressed. Some ear you've got there pal.