Over the years, I came to the conclusion that the one thing that all, or near all, live performances have in common is a fullness and a richness in the music that is sometimes not captured in our home systems. It's a tight rope act to get that sweet spot between dry and analytical and jaded and blurred.
One of my first experiences at hearing a system that approached the fullness and richness of a live performance, without sacrificing detail and nuance, or having to be mind numbingly loud, was back in the late 80s, when auditioning a pr. of Apogee Duetta Sigs. Not sure about the electronics, as I was primarily auditioning the speakers, but it must have been some very nice gear of the time.
It is this fullness and richness of sound, combined with an accuracy of timber, space and detail, that can be enjoyed at a volume considerably less than a concert, that I try to attain.
Also, I've found that my eyes and ears work together to create an imaginary stage, when auditioning speakers and equipment. If I close my eyes, in a short time, the stage and placement of vocals and instruments seems to diminish. Regardless of price, I like to assess, in addition to tone and timber, how well a system can create a stage and keep things where they belong. For some reason, I can not do this with my eyes closed, as I need some kind of visual reference...Jim
One of my first experiences at hearing a system that approached the fullness and richness of a live performance, without sacrificing detail and nuance, or having to be mind numbingly loud, was back in the late 80s, when auditioning a pr. of Apogee Duetta Sigs. Not sure about the electronics, as I was primarily auditioning the speakers, but it must have been some very nice gear of the time.
It is this fullness and richness of sound, combined with an accuracy of timber, space and detail, that can be enjoyed at a volume considerably less than a concert, that I try to attain.
Also, I've found that my eyes and ears work together to create an imaginary stage, when auditioning speakers and equipment. If I close my eyes, in a short time, the stage and placement of vocals and instruments seems to diminish. Regardless of price, I like to assess, in addition to tone and timber, how well a system can create a stage and keep things where they belong. For some reason, I can not do this with my eyes closed, as I need some kind of visual reference...Jim