This is such a silly conversation to be having in the third millennium, especially given that there are similar threads on Audiogon here, and here, and here, and here, and ...
Here’s a simple fact: The highest fidelity copy of many recordings can only be had on LP. It may be that digital versions were deliberately squashed in dynamic range to compete in the Loudness War. Or it may be that the master tape has aged so badly that early LP pressings remain truest to the original. Or it may be that something was lost in the digital remastering process.
I find that even streaming services that aim for high SQ (such as Qobuz) sometimes don’t have the best sounding copies. Of course, when Qobuz gets it right, those files can swamp an LP. Sometimes.
The notion that those who prefer LP to digital do so because of inherent distortions in the LP process is also misguided; it’s the logical error of confusing correlation with causation. While it may be true of some listeners, it overlooks those who take satisfaction in reducing those distortions to the lowest possible level.
And there are those here - @mikelavigne is one of them - who insist they are unable to make digital copies that can equal the SQ of the best LPs, and that the two are easily distinguishable. (That hasn’t been my experience, though.)
To be clear, I wouldn’t bother with a turntable and LPs if I were starting in audio today - the expense and inconvenience just wouldn’t be worth it. But I’ve been into audio since the LP era. The suggestion that those of us enjoying LPs may be "preventing the next leap" is just absurd. Many of us have made that "leap" and found the potential of digital is often not realized.
If you prefer vinyl, then stick with it and enjoy it.Pardon me, but did we need your permission?
There are reasons why the analog processing that occurs in the vinyl "process" can result in a sound that pleases someone. However, knowledge is good, and if you are set in your ways, you may be preventing the next leap.The next leap, to what??
Here’s a simple fact: The highest fidelity copy of many recordings can only be had on LP. It may be that digital versions were deliberately squashed in dynamic range to compete in the Loudness War. Or it may be that the master tape has aged so badly that early LP pressings remain truest to the original. Or it may be that something was lost in the digital remastering process.
I find that even streaming services that aim for high SQ (such as Qobuz) sometimes don’t have the best sounding copies. Of course, when Qobuz gets it right, those files can swamp an LP. Sometimes.
The notion that those who prefer LP to digital do so because of inherent distortions in the LP process is also misguided; it’s the logical error of confusing correlation with causation. While it may be true of some listeners, it overlooks those who take satisfaction in reducing those distortions to the lowest possible level.
And there are those here - @mikelavigne is one of them - who insist they are unable to make digital copies that can equal the SQ of the best LPs, and that the two are easily distinguishable. (That hasn’t been my experience, though.)
To be clear, I wouldn’t bother with a turntable and LPs if I were starting in audio today - the expense and inconvenience just wouldn’t be worth it. But I’ve been into audio since the LP era. The suggestion that those of us enjoying LPs may be "preventing the next leap" is just absurd. Many of us have made that "leap" and found the potential of digital is often not realized.