The more variation, the more the impedance curve takes command of the frequency response….
…but look how broad the under 4 Ohms is. That’s what I’d listen for. For the most neutral presentation from these speakers you are going to want a beefy solid state amp.
Great! Very helpful. FWIW, I only looked at the curve after I knew I was hearing something and wanted to understand why. I had seen such graphed curves before, but now they are connecting with my listening experience; they have meaning, now.
@miller
The only measurement you need is sensitivity greater than 90. Then from there you pay attention to listening impressions. Then when you find people describing a sound that matches what you like look for people who are hearing that sound with tube amps…..But on the other hand, maybe you don't care about such things as musical involvement.LOL! If I didn't care about musical involvement, I'd be a fool. I hope I've not given off that impression with my question. I'm not a specs fanboy by a longshot, and your suggestion is most appreciated. People's taste (and hearing) can vary a lot, and so sometimes that's an X factor which is hard for me to glimpse in the many posts mentioning speakers in which I might be interested. Another tool (like the sensitivity number) was what I was seeking here, but I'll remain open to the possibility that you're right — that more than just sensitivity measurement is worthless and I should read up on listening impressions almost exclusively. (And, of course, all of this is not replacing listening, but getting whittled down the number of things to which I might go to the trouble of auditioning.)
@yogiboy Thanks— good suggestion about the taps. They're currently on the 4 ohm taps, though.
@almarg That's right — I'm trying to use specs to help delimit a rather wide range of choice. The power of the amps are similar, but I know their damping factors are very different (20 vs. 100, at least). I will look into what other people's anecdotal reports say, too. I never ruled that out, but the metric of speaker sensitivity has been very helpful in narrowing down my choices and that's why I'm looking into related metrics, now.
The dynamic jumps in symphonic music (I spent a day just listening to symphonies) were not distorting with the tubes.