I own DeVore O/93's.
At Axpona 2019 the room I kept returning to time and time again was the Audio Note room. https://www.youtube.com/watch?v=hA3XvJcic5o
I believe Richardausten. Everything he says above mirrors my observations of the room at Axpona
What astounded me was the the cheap kitchen table being used as an equipment rack right between the two loudspeakers. What happened to equipment racks being important? What happened to the rule not to place large objects between the loudspeakers?
My conclusion was that in the case of the AN-E's and associated equipment, and what they do so exceedingly well-tone and timbre-the isolation of components and placement of the equipment is not very important. Like my DeVore O/93's, the AN-E's did not image. As with my O/93's there was a large wall of sound. The driver integration of the AN-E's with the matching AN gear was much better than my O/93's. The sound was utterly majestic and magical.
Hearing Mr. Belanger play his cello live and then his recording was illuminating.
Though a bit of a digression, I found the price of the AN-E's much easier to swallow than the price of the electronics. If my memory is close to accurate, the simple-looking box-like CDP was about 20K and the amp or integrated amp (can't recall) was also in the same ballpark.
And then to digress even more, let's not forget that there are two Audio Note companies, Audio Note UK and Kondo Audio Note Japan. https://www.audionote.co.jp/en/
I gather that Kondo does not make loudspeakers so I truly am digressing.
At Axpona 2019 the room I kept returning to time and time again was the Audio Note room. https://www.youtube.com/watch?v=hA3XvJcic5o
I believe Richardausten. Everything he says above mirrors my observations of the room at Axpona
What astounded me was the the cheap kitchen table being used as an equipment rack right between the two loudspeakers. What happened to equipment racks being important? What happened to the rule not to place large objects between the loudspeakers?
My conclusion was that in the case of the AN-E's and associated equipment, and what they do so exceedingly well-tone and timbre-the isolation of components and placement of the equipment is not very important. Like my DeVore O/93's, the AN-E's did not image. As with my O/93's there was a large wall of sound. The driver integration of the AN-E's with the matching AN gear was much better than my O/93's. The sound was utterly majestic and magical.
Hearing Mr. Belanger play his cello live and then his recording was illuminating.
Though a bit of a digression, I found the price of the AN-E's much easier to swallow than the price of the electronics. If my memory is close to accurate, the simple-looking box-like CDP was about 20K and the amp or integrated amp (can't recall) was also in the same ballpark.
And then to digress even more, let's not forget that there are two Audio Note companies, Audio Note UK and Kondo Audio Note Japan. https://www.audionote.co.jp/en/
I gather that Kondo does not make loudspeakers so I truly am digressing.