Behringer DEQ2496 HELP

Ecruz...If you move it between the CDP and the preamp you can't use it for any other source. If you do move it up you should try feeding it digital from your CDP. Your output from the Behringer will be through its D/A anyway, so why run the signal through an extra D/A in the Sony and an A/D in the Behringer?

I just realized how stupid my last post was. Hello, it's a DIGITAL eq.

I thought if I used analog in and analog out I was bi-passing the DAC.

Eldartford-

If I move it before the pre-amp I can only use one source? I can't hook up something to the analog in and something else to the digital in? I can't switch between 2 or 3 inputs?

Ecruz, I would move it upstream. But as far as "I don't want to mess with the amazing sound from my Sony/TRL 900," as Kenn and El have pointed out, you already have messed with it by interposing the Behringer in the chain. There is no way around this, regardless of whether the Behringer is fore or aft of the preamp. But, having messed with it, if it still sounds amazing to you, you might as well mess with it some more and explore your options.

I have two digital sources going into the Behringer, a CDP into the Behringer's optical input and a Monarchy DIP (which itself has two sources, so I guess that's three altogether into the Behringer) into the AES/EBU input. I select between the two by using two programmed presets that differ only in terms of the input source. That may be the kind of arrangement you are thinking about?

Drubin, I haven't been able to read through that article without my attention wandering, but I don't think the author was talking about overlaying target curves. I think he was suggesting choosing an all-purpose target curve (even flat) for autoeq and then overlaying other programmed "psychoacoustic" or "personal" presets at the playback stage to try to improve on the sound. Then, if you wanted, you could use the knowledge of which of these overlays produces a better response to set a new target curve and redo the autoeq process. Actually, this is the approach that I used--started flat (except at the low end since my speakers are short of full range) and then overlaid adjustments from there.

Ecruz, I posted my last post before your last showed up. Yes, you can select among one analog and two digital inputs with the Behringer. You can do it by using the I/O switch, or as I do, by programming different presets that differ only by input source, which is a cinch to do. I am wondering why I do it that way... I think it's because then most of what I do with the Behringer on a day-to-day basis is accomplished through one menu, the program menu, and I don't have to jump around from menu to menu.

It's not as simple using source selector controls on a preamp, but it's not bad, either.