Check out http://www.linkwitzlab.com/
I have all three of his last systems. Bought the Orion, built the LXmini and the LX521.4. One feature they share is the following equipment architecture: source>pre-amp>(crossover/equalizer)>amplifier channel>driver. The Orion has two tweeters (one forward and one backward facing), one mid-range, and two woofers (one forward and one backward facing) per side. A minimum of 6 channels of amplification are required, 8 channels makes more sense so the woofers can be fed by pairs of bridged channels. To allow flexibility, a 12-channel amplifier (ATI AT6012) is recommended. The LXmini has fewer drivers than the Orion, the LX521.4 has more.
The benefit of the approach is that each driver has the optimal crossover points, roll off and amplitude relative to the other drivers. Analog solutions for the crossover exist as do digital solutions to allow you to dial in the set of curves that works best in your room. I never thought to refer to it as ‘vertical’ or ‘horizontal’; it’s just every driver getting exactly the set of frequencies where it performs optimally.
IF (and this is a big IF) you have the time and inclination to fuss around with your system to make it sound just right in your room and some budget to try a few different solutions, you might find the Linkwitz path fruitful. This is not plug-and-play gear; it takes time and a lot of listening, moving things, and swapping gear to get it right – and every little component and every wire matters. After living with 'oct-amped' (is that even a word?) dipoles I’ll never buy a 2-way speaker in a box again.
I have all three of his last systems. Bought the Orion, built the LXmini and the LX521.4. One feature they share is the following equipment architecture: source>pre-amp>(crossover/equalizer)>amplifier channel>driver. The Orion has two tweeters (one forward and one backward facing), one mid-range, and two woofers (one forward and one backward facing) per side. A minimum of 6 channels of amplification are required, 8 channels makes more sense so the woofers can be fed by pairs of bridged channels. To allow flexibility, a 12-channel amplifier (ATI AT6012) is recommended. The LXmini has fewer drivers than the Orion, the LX521.4 has more.
The benefit of the approach is that each driver has the optimal crossover points, roll off and amplitude relative to the other drivers. Analog solutions for the crossover exist as do digital solutions to allow you to dial in the set of curves that works best in your room. I never thought to refer to it as ‘vertical’ or ‘horizontal’; it’s just every driver getting exactly the set of frequencies where it performs optimally.
IF (and this is a big IF) you have the time and inclination to fuss around with your system to make it sound just right in your room and some budget to try a few different solutions, you might find the Linkwitz path fruitful. This is not plug-and-play gear; it takes time and a lot of listening, moving things, and swapping gear to get it right – and every little component and every wire matters. After living with 'oct-amped' (is that even a word?) dipoles I’ll never buy a 2-way speaker in a box again.