I have the SF Cremona Auditors as well,and I use Pathos Inpol 2 integrated hybrid amp,with 45wpc on 8 ohms and 75 wpc on 4ohm in A class. Had my doubts also too, because prior to Pathos I used the Krell integrated amp, with loads of power. But,I have to say that Pathos power prooved to be more than enough, for my room anyway, which is around 15m2, and I rarely use more than a half of its power. On the other hand, I tried friends integrated Arcam A38 with 100wpc and it simply could not drive the speakers, same happened with Prima Luna Prologe 1. The Cremonas prefer powerfull amp, but if your room is not huge,they are able to work with others as well. I have the paper with impedance curve that I got with brochures and speakers, if you think that it might help you,I guess I could find it and send it
Sonus Faber Cremona Auditor "Minimum" Power?
Would the new Bel Canto C5i work with the *original* Cremona Auditors at 88 dB @ 4 ohms? I have read conflicting reports about these speakers being easy and difficult to drive. The Bel Canto is a very modest 60 WPC into 8 ohms and 120 WPC into 4 ohms, but apparently has a pretty high current output at 30 amps and is stable with 3 ohm loads. Any other reason to believe this combo would not be good?
On a tangent, how does an amp have lower power but high current output? Aren't the 2 directly related? I recall from rudimentary Physics (for mathematically disabled Bio majors like myself) that P=i^2(R). Can somebody conceptually explain to me what's going on with the electrons in high power/low current vs. low power/high current?
On a tangent, how does an amp have lower power but high current output? Aren't the 2 directly related? I recall from rudimentary Physics (for mathematically disabled Bio majors like myself) that P=i^2(R). Can somebody conceptually explain to me what's going on with the electrons in high power/low current vs. low power/high current?
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- 12 posts total
- 12 posts total