I think it sounds harsh simply because the range of volumes (?) is compressed so you get a narrower range of variation between soft and loud. This removes nuance, for lack of a better term....I’m not an expert.
It is also important to note the DR compression can and must be used to make a track listenable at normal volumes. Like a symphony with soft strings and then booming horns. The DR has to be compressed so that you can hear both at normal listening volumes.
It is heavy handed or 'over' DR compression that I’m talking about.
Why is it done wrong? It is my understanding that DR was compressed heavily to increase the relative loudness of the track or album making it more noticeable (??). This would be most effective in the car or with ear buds etc.
It is why some songs will sound ’louder’ than others if there is no equalization applied in iTunes, etc.
I have no idea why it is still done. To be honest, I’m not sure there is a lot of talent on the final production side of the recording industry these days and I think it is done simply because that’s been a standard practice since the 1990s. Metallica was one of the first bands to get significant bad press for the practice.
A recent example is a band called the Teskey Brothers who I really like. They do their own production on older analog equipment and they do a good job. But on their most recent album the CD is very compressed and unpleasant to listen to, while the vinyl is superb. Somewhere in the production process of the CD the DR was compressed while on the album it was not. Why? I have no idea.
The Dynamic Range Database is an excellent tool for finding the best recordings and I use it religiously as, in my opinion, it does not matter how meticulously a track is recorded, if the DR is compressed it doesn’t sound good. So that’s where I start.
I have found that certain artists are better about not over compressing. Steely Dan and Mark Knopfler come to mind. I have also noticed that within the Jazz genre there seems to be less DR compression. That alone is telling in my opinion.
Anyway, sorry about the rant. Of all the nuances audiophiles hear, I am not particularly sophisticated but DR compression for me is always noticeable and unpleasant. Also sorry about any inaccuracies or improper terms. If I’ve got something wrong I hope someone will chime in. There is a lot of info about DR compression out there. I think Wikipedia even has some good info.
It is also important to note the DR compression can and must be used to make a track listenable at normal volumes. Like a symphony with soft strings and then booming horns. The DR has to be compressed so that you can hear both at normal listening volumes.
It is heavy handed or 'over' DR compression that I’m talking about.
Why is it done wrong? It is my understanding that DR was compressed heavily to increase the relative loudness of the track or album making it more noticeable (??). This would be most effective in the car or with ear buds etc.
It is why some songs will sound ’louder’ than others if there is no equalization applied in iTunes, etc.
I have no idea why it is still done. To be honest, I’m not sure there is a lot of talent on the final production side of the recording industry these days and I think it is done simply because that’s been a standard practice since the 1990s. Metallica was one of the first bands to get significant bad press for the practice.
A recent example is a band called the Teskey Brothers who I really like. They do their own production on older analog equipment and they do a good job. But on their most recent album the CD is very compressed and unpleasant to listen to, while the vinyl is superb. Somewhere in the production process of the CD the DR was compressed while on the album it was not. Why? I have no idea.
The Dynamic Range Database is an excellent tool for finding the best recordings and I use it religiously as, in my opinion, it does not matter how meticulously a track is recorded, if the DR is compressed it doesn’t sound good. So that’s where I start.
I have found that certain artists are better about not over compressing. Steely Dan and Mark Knopfler come to mind. I have also noticed that within the Jazz genre there seems to be less DR compression. That alone is telling in my opinion.
Anyway, sorry about the rant. Of all the nuances audiophiles hear, I am not particularly sophisticated but DR compression for me is always noticeable and unpleasant. Also sorry about any inaccuracies or improper terms. If I’ve got something wrong I hope someone will chime in. There is a lot of info about DR compression out there. I think Wikipedia even has some good info.