Is imaging reality?


I’m thrilled that I finally reached the point in my quest where instruments are spread across my listening field like a virtual “thousand points of light.”  I would never want to go back to the dark ages of mediocre imaging, But as a former classical musician, the thought occurs to me, is this what I hear at a concert, even sitting in the first row?  What we’re hearing is the perspective of where the microphones are placed, generally right on top of the musicians.  So close that directionality is very perceptible, unlike what we hear in the hall. The quality of our systems accurately reproduces this perspective wonderfully. 
But is it this as it is in the real world?
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Lincoln Center,Carnegie Hall,Radio City Music Hall..... If your system can make you think your in the front  at any of these venues you must hff ave one hell of a system  or your dreaming .... I would say dreaming. I have been to concerts  there and the sound was amazing. I do mean I sat close to the stage ,within the first 8 rows .I have been to out door concerts Classical and Rock ,Bway Shows. Alot goes into the recording of live shows ,to me its hit or miss with alot of misses.....
I listen to primarily classical, and primarily orchestral. I also mentioned this in a similar thread:

No, at a live venue, a concert hall, we do not really hear ‘imaging’, but as I stated, I think the difference is, in a concert hall, we also are watching while listening vs only listening to 2 channel without any visual help, and we need/want to make up for not seeing the musicians play, or where we know they are typically located. Thus, for me, listening to orchestral music in my living room, without visual cues, I like to have those imaging cues separating the musicians on the stage as I know they are. In this strange way, it makes it more realistic, both in soundstage width and also more importantly depth. I want that timpani sounding as if is way behind the speakers and at the rear of the stage. Imaging recreates the stage, the room, the hall, etc. when we cannot see it.

The same goes when listening to trio or quartet jazz recordings. I like to hear where each musician is. Or, chamber works, etc. But when I *see* a Jazz trio at a club, it isn’t important. I’m also watching.

Now, it still takes a well recorded album to pull this off well.

And interesting enough, when watching the Berlin Philarmonic live (I have a subscription) through my 5.1 channel HT set-up, everything surrounds me, also not realistic, but all is fine, as I am watching while listening, and it matters little.
When I go to symphonic concerts I prefer halfway back somewhere in the middle-ish. Have sat down front many times and find I like the sound and the view less.

Opera is a little harder to say since in many places the orchestra is in a pit or down very low.

I have never chased after 'realism' in audio, nor in photography, one of my other hobbies (I shoot black and white mostly....and the majority of the real world is not in gray scale). I know those who do, in audio at least, and there is nothing wrong with that. A good recording and a good print need not be 'realistic' for me. They just have to be good.
Have sat down front many times and find I like the sound and the view less.

When seeing an orchestra, ballet, or opera, I prefer the ‘dress circle’ seats. I can see everything from ‘slightly’ above, while also feeling close. And typically sounds wonderful, but in reality, in places like Severance Hall in Cleveland, sounds great wherever you sit. It’s more about the view.