Is imaging reality?


I’m thrilled that I finally reached the point in my quest where instruments are spread across my listening field like a virtual “thousand points of light.”  I would never want to go back to the dark ages of mediocre imaging, But as a former classical musician, the thought occurs to me, is this what I hear at a concert, even sitting in the first row?  What we’re hearing is the perspective of where the microphones are placed, generally right on top of the musicians.  So close that directionality is very perceptible, unlike what we hear in the hall. The quality of our systems accurately reproduces this perspective wonderfully. 
But is it this as it is in the real world?
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And remember, plenty of rock and pop recordings are made without the musicians being in the studio at the same time and some musicians play all of the instruments on a given recording. Aldo Nova comes to mind.

In these situations there was never any reality to be true to.
 A recording is an artifact in itself. It exists independent of the performers. The many hands (or ears) involved to produce it create a reality all it’s own.  In multi-miking an orchestra (and other genres as well) the sound engineer creates the imaging he or she likes.
A great performance can be ruined by poor production. And, as has been pointed out here, a mediocre performance can be appreciated for the sound of the artifact itself.
 Alternately, we can greatly enjoy historic recordings with terrible sound quality because the genius of the artist shines through.
Also, as has been pointed out, playback systems vary widely as to character and quality to add to the perception of reality.