singintheblues:
I agree with you concerning dacs like the benchmark, it simply sounds thin and digital to me. Even the DCS One which I’ve listened to quite a bit is nothing to really talk about compared to a good analog rig. Two of the most real sounding dacs I know of and which I own and fit your price requirements are the Museatex Bidat which has the ability to use a wired volume control which is very very good and the Museatex (Melior) Bitstream which is also incredibly good. They are full sounding and simply sound more like a higher end analog rig than most of the new stuff being hyped. If you have John Wright in Calgary put the latest mods on them, it’s game over.
The Bidat and the Bitstream are very similar in sound. The Bitstream is the surprise. That thing is simply head and shoulders above the newer dacs I’ve heard and yes, that includes the $80k DCS One. You should be able to find a modified Bitstream for under $900.00, non modified for like $425.00.
I’ll put it this way, between my AMR CD 77.1, Bidat, Bitstream and AMR DP 777 se I am no longer the least bit interested in hi-res, MQA, DSD or any of the latest and greatest formats. Redbook sounds incredible on these machines. I do have 800 DSD files and an iFi iDSD Pro and iDSD Black Label so I can play native dsd and yes, it sounds fantastic and there is merit to the format. I normally use HQPlayer to convert the DSD to 16 bit 44.1khz and feed it to the Bitstream, Bidat or DP 777 SE. I switch up :)
The iDSD Pro is my office system and I listen natively, DSD/MQA/RB, etc with that setup.
You need to experience the Bitstream to believe it. You will literally forget about the new gear being offered.