Well no Chakster not quite nonsense. Controversial maybe. My system is digitally controlled. I use full spectrum room control, frequency response alterations and digital bass management. This is all done in 48/192.
In order to use my turntables in this system I have a Benchmark ADC on the output of an ARC phono amp which converts to 24/192. 4 channels of DAC revert all to analog right in front of the amplifiers. So with High Res files I am digital all the way to the amps.
According to Michel Fremer 24/192 is invisible. He converts Vinyl to digital files routinely using the same program I use, Channel D's Pure Vinyl.
In order to use my turntables in this system I have a Benchmark ADC on the output of an ARC phono amp which converts to 24/192. 4 channels of DAC revert all to analog right in front of the amplifiers. So with High Res files I am digital all the way to the amps.
According to Michel Fremer 24/192 is invisible. He converts Vinyl to digital files routinely using the same program I use, Channel D's Pure Vinyl.